Film Review: Bohemian Rhapsody

By the end of this film I had tears streaming down my cheeks, and when the climactic sequence, a recreation of Queen’s iconic Live Aid performance, ended I almost joined in with the onscreen applause.

Basically, I loved this movie, as did WoM, who also got pretty emotional during the viewing, but as she cries over adverts that’s less impressive.

I’ve been a fan of Queen since before I was properly interested in music, having listened to a mate’s cassette of Live Magic and falling in love with it. Over the years I’ve maintained a solid love for their band and their back catalogue which contains several absolute classics. I also grew in appreciation for Freddie Mercury, their legendary lead singer. Mercury, who combined humour, swagger and theatrics on stage left behind some pretty big shoes to fill, but thankfully Rami Malek gives a superb performance here.

bohrap poster

The movie starts and ends at the same point, the Live Aid concert in 1985 where Mercury and Co knocked it out of the park. We get brief glimpses of Mercury as he makes his way to Wembley and then walks from the dressing room to the stage, before the movie jumps back to 1970, where Farrokh “Freddie” Bulsara works as a baggage handler at Heathrow Airport and, according to his father, wastes his time going out going to see bands.

At a gig he approaches Brian May and Roger Taylor (Gwilym Lee and Ben Hardy, respectively), who have just lost their lead singer and bassist. After impressing them Freddie joins and adding bass player John Deacon (Joseph Mazzello), the band becomes Queen and soon find success.

bohrap queen

While the band go from strength to strength, Freddie struggles to come to terms with his sexuality and disappears into a whirlwind of excess, manipulated by Paul Prenter (Allen Leech), his manager who isolates Mercury and uses booze and drugs to keep him out of it. Freddie leaves Queen to go solo, but struggles with the recording of his solo albums and descends into depression, while Prenter reaps the rewards. Finally, after a visit from an old friend, Mercury begins to pull himself together, reuniting the group with the hopes of performing at Live Aid. However, in the run up to the gig, Prenter goes public with damning criticisms and stories, and Mercury learns that he has AIDS.

Of course, the band performs sensationally and Queen were reunited to continue together until Mercury’s death in 1991. That’s the problem with biopics, you know how the story ends.

The movie does really well in charting the fifteen year period from Mercury joining May and Taylor to their Live Aid performance. There are a few sequences based around specific songs (the eponymous epic, “We Will Rock You”, “Love of my Life” and “Another One Bites the Dust”) and it just highlights how many kickass songs the band had, the recording studio sequences are fun, with bickering band mates and unusual recording sessions providing great entertainment. Praise has to go to the three actors playing the rest of the band as they are all solid support, and capture brief impressions of each member- the fiery Taylor, dry witted May and the likeable Deacon.

One of the elements throughout the film is Mercury’s relationship with Mary Austin (Lucy Boynton), which may seem unusual for a film about a gay man, but it works. Austin was Mercury’s girlfriend before fame, and the growing distance and Mercury’s concealed homosexuality are key points here, and the scene where they break up is heartbreaking. We see that Mercury does love her, that she is his support and rock, the first person to really believe in and accept him, but there is no sexual aspect by the end. Boynton gives a quiet performance that nonetheless captures her character’s sadness in losing her love and her distress at what he briefly becomes.

The film is really about Mercury’s journey towards some form of self acceptance, and feeling comfortable with himself. The swaggering bravado he shows in the early stages of the movie is clearly a mask, and it’s only when he faces up to who he has become and who he wants to be that he approaches happiness, making peace not only with his family and band mates, but also with himself. The movie ends, despite his AIDS diagnosis, on a positive note, with Mercury having reunited with Queen, rekindled his friendship with Mary and beginning a new romantic relationship.

In every stage of this progression Malek delivers a towering performance. He captures the on screen pomp beautifully, the dramatic poses and campy theatrics that made Mercury such a compelling performer. In fact, I can’t think of a movie which has so perfectly captured a band’s on stage energy, and there are several strong concert sequences, particularly the Live Aid section, which is magnificent.

bohrap liveaid

Off stage he captures the humour and swagger, but there’s always a sense of a hidden fragility behind the pretence, and Malek wonderfully conveys the inner turmoil with subtle changes in expression. He captures the insecurity and loneliness of Mercury, especially as the rest of the band’s lives diverge towards family and he finds himself alone, throwing parties for people he doesn’t really know.

Several times Malek’s performance moved me profoundly, quiet moments throughout that reduced me to tears in places, which is odd for a film which also made me laugh aloud and is inspiring. In the end Mercury stood before the world, boldly saying “This is who I am” and that’s wonderful, a man who forged a place for himself in the nation’s hearts despite growing up in a time when his ethnicity and sexuality meant he would encounter prejudice. Despite this he would become a rock legend and beloved figure.

I know some have said the movie is a bit neat, but it tells the story it wants excellently, in a captivating and moving way. Carrying this film are Malek’s performance, the band’s music and Mercury’s charismatic character.

Like Garth says in Wayne’s World (which gets a nice nod here), Bohemian Rhapsody is a good call.

Verdict: Funny, moving, utterly compelling. Malek is superb. The songs are belters. Film of the year? Probably. 10/10.

Any thoughts? You know what to do. BETEO.


Gig Review: Iron Maiden at the Motorpoint Arena, Cardiff

You know you’re going to get one hell of a show when Maiden are in town, and they did not disappoint last night. After a short video intro, Bruce Dickinson appeared, hunched over a smoking cauldron, a hooded robe around him.

The showmanship, almost panto-like in it’s playfulness at times adds to it but driving the show is the music. As Bruce finished the four guitarists rushed to the fore, while he remained downstage, atop a raised platform above Nicko McBrain’s drumkit.

Dickinson in action

Steve Harris, continuing the theme of West Ham fans being sound, wielded his bass with boundless enthusiasm. This was matched by the three guitariats, who all carried themselves with seemingly endless energy and obvious enjoyment. The band look like they’re having a ball and it translates to the crowd who were really getting into it.

It was a pleasant experience to be in the younger half of a concert audience for a change, and there was a good atmosphere among the mainly old rockers seeing their heroes perform.

A lot of the songs played were from their most recent album, Book of Souls, and so not so familiar to MWF and I, but they did bring out some of the big hits,  with “The Number of the Beast”, “The Trooper” and “Fear of the Dark” among them.

What I loved most was the sense of humour, the band don’t take themselves too seriously and there to have fun. They delight in the showy sets, the costumes and the excess. When mascot Eddie shows up it’s a fun, goofy cameo with the band messing around.

Great fun, providing some class tunes in an entertaining performance, well worth checking out if they come to your town.

Any thoughts? You know what to do. BETEO.

Random Song: Bullet With Butterfly Wings by Smashing Pumpkins

Despite growing up in the 90s I was never a massive Smashing Pumpkins fan. Their heyday was in the middle of the decade and I was more focused on football. 

I heard a few of their songs and I didn’t dislike the, I just wasn’t captivated in the way I am by the bands I’ve loved. They were just a band who I thought we’re alright.

The first real impact they had on me came courtesy of their guest appearance in one of my all time favourite episodes of The Simpsons. 

One of my best friends, Llywellyn, was a fan and that’s why this song stands out for me. 

During our GCSEs we were in the same English class. We sat at the back and prayed not to get called on to read characters in Macbeth. For years 10 and 11 we were put into sets based on ability and we were in the top one. I can’t speak for Llyw, but looking the class I felt a little out of place. These were the bright kids and I felt like I’d snuck in by mistake.

I expected our teacher, Mrs F, a bit of a hippie, to look at my work one day and then at me and realise that there’d been a mistake. 

Anyway, one of our tests was that we had to read a poem and analyse it in front of the class. Our classmates obviously dug into library books or poems they already knew (someone did a Lewis Carroll and there were a few soppy romantic ones), while the two of us waited until the last few days.

And then Llywelyn produced the liner notes to the Pumpkins’ album Mellon Collie and the Infinite Sadness selecting track six, this song. To class it up we said it was written by “William Corgan”. A few of our classmates smiled at this, clocking what we were doing.

I read it aloud, from the opening “The world is a vampire” right through.

At the time my music listening was almost exclusively pop punk, The Offspring and Blink 182 on heavy rotation and I had absolutely no clue what it all meant.

Enter Llywelyn, who talked for five minutes about a variety of themes and imagery. How much of it was just him winging it I’ll never know but we passed and even got praise from Mrs F for choosing a lesser known piece.

It’s a decent song, starting with a quiet, driving riff before exploding into Corgan’s anguished chorus and crashing guitars. But it’s the link to the past and the fact it always makes me smile that this will always be my favourite Smashing Pumpkins track and have a special place in the soundtrack of my life.

Any thoughts? You know what to do. BETEO.

Gig Review: Manic Street Preachers at the Liberty Stadium, Swansea

At the age of eleven I watched the 1997 Brit Awards and came away with three clear impressions- the Bee Gees were awesome, Geri Halliwell was a goddess and that I quite liked Welsh rock band the Manic Street Preachers. I asked for, and received, the Manics’ Everything Must Go album, which was the fourth album I ever owned.

I listened to it a fair few times and loved a couple of tracks from it (“Design for Life”, “Australia” and the title track) before it slipped down my rotation list as my collection grew. However, I was pretty excited when the band announced a 20th anniversary tour where they would perform the album.


Unfortunately, the tickets were released when I was asking and watched as my friends celebrated getting their tickets. Thinking I had missed out I was a little glum but moved on. Then at Christmas, MWF revealed that she had got us tickets as a present to me. This was very cool of her, especially as she’s not a Manics fan at all.

And so having just turned 31, I finally saw a band that I’ve liked since I was eleven. And they did not disappoint.

They played their classic album almost in full, which meant their set kicked off with the anthemic “A Design For Life”, a bold choice to use one of their best known tracks as an opener. I stood and sung along as best I could, helped by a couple of ciders and enjoyed hearing half forgotten songs like “Kevin Carter” again. The band played with practised ease and obvious enthusiasm, with front man James Dean Bradfield chatting easily with the crowd and introducing the songs.

The crowd responded well and even darkening clouds and distant flashes of lightning didn’t effect their enthusiasm. Even when the clouds opened later on during the set it had no noticeable effect on the mood of the crowd. But then this was an open air gig in Wales, it wouldn’t be the same without the rain. JDB stated “I love the rain” adding that some of his happiest memories are in the Welsh rain.

The first half was Everything Must Go and the second saw them branch out, revealing just how many amazing songs they have in their back catalogue. The guitar led early work like “Motorcycle Emptiness” and “You Love Us” sitting comfortably alongside more poppy later work like “Your Love Alone Is Not Enough”.

As expected for a Welsh gig by one of the pillars of the 90s “Cwl Cymru”, patriotism was running wild. JDB wielded a guitar bearing the red dragon, Welsh flags and shirts were abundant and it reached it’s peak during their performance of “Together Stronger” the band’s rousing theme for the Welsh squad’s Euro 2016 campaign. Featuring a summary of the national side’s past misfortunes and a tribute to Gary Speed, it proved a very moving experience and I’m not ashamed to say I got a little choked up.

They closed their set with one of my personal favourites, “If You Tolerate This Your Children Will Be Next” and I thoroughly enjoyed the whole experience, leaving having been reminded of just how good a band they are and the quality of their back catalogue and filled with renewed affection for the group.

I spent much of yesterday with “If You Tolerate This…” and “A Design for Life” vying for playing on my mental jukebox and I fully intend giving their albums a spin in the coming days.

Support was provided by Public Service Broadcasting, who we missed due to arriving late and the psychedelic, progress noodling of Super Furry Animals, who were quite fun with a set ranging from cheerful Beach Boys style efforts to full blown trippy excess.

All in all, a good night out, even if it highlighted my age. Not just because an album I loved has turned twenty but because I happily spent some of the gig in a seat. Although I did relish what may be my only chance to step onto the Liberty field.

Any thoughts? You know what to do. BETEO.

Twelve Thoughts About Spice World

The late ’90s. Spicemania is running wild, the girls are global stars and everyone knows them. Furious debate rages over who the best Spice is (I flip flopped between Emma and Geri, finally settling on Emma).


They release a movie which is part A Hard Day’s Night and part crappy kids TV show. I only watched it this year, at MWF’s urging, and I have some thoughts-

1. The Cameos Are Insane

Elton John turns up about three minutes in and the cameos just keep coming. Bob Hoskins says “Girl Power”, Stephen Fry is a judge, Hugh Laurie is Poirot and Bob Geldof lets them do this-


Why, Bob, why?

2. King of the Cameos is Roger Moore

He plays the group’s manager and bosses their tour manager over the phone with weird quotes. He also wears his old Bond costumes and strokes various animals- cat, rabbit, piglet.


Taking the money!

There’s a strong sense these were done in one day as halfway through one scene the piglet squeals and Moore just powers through like a boss. You get the impression he just wants to finish, pick up his cheque and go home.

Being Moore though, he’s still suave as all hell.

3. Aliens turn up for no reason

The girls go for a pee and some aliens rock up. One gropes Mel B and Geri kisses one and then they leave. It has no bearing on the plot.


Now that's what I call a close encounter

4. I’m 80% sure they only got Meat Loaf for one gag

As their driver Loaf is asked to fix the toilets, at which point he says: “I love those girls, and I’d do anything for them. But I won’t do that.” It made me smile.


Meat Loaf

5. 90s fashion was terrible

Seriously, I can’t believe the Spice Girls were the coolest people on the planet at this point.

6. There’s a subplot about their friend who’s pregnant. I don’t know why.

I have no idea why, but when she gives birth Geri chimes is with “Now, that’s girl power!”

7. The Gary Glitter song is awkward

Glitter has been pretty much deleted from the pop culture landscape, so it’s weird to hear the girls performing one of his songs. Apparently he was also due to cameo but that got axed as allegations surfaced, obviously they thought it was fine to keep the song.

8. Victoria is the worst actress

The bar isn’t that high, but she is far and away the worst of the bunch.

9. They complain about their nicknames, but then play up to them throughout

Mel C is obsessed with Liverpool winning the league. Mel B is lairy. Emma is disturbingly child-like at times. Posh is shallow and snobby. The only break is Geri who dishes out random facts and is shown to be boy-crazy.


Random. And wrong (it's the whale shark)

10. Spice Force Five probably would have been a better movie

Seriously, missed opportunity.


11. Geri’s boobs can apparently rouse someone from coma

Geri, Mel C and Victoria visit a teenage boy in a coma. Posh tells Geri to take her top off, but then says she’s only joking. However, the possibility of seeing Ginger Spice’s breasts is enough to have woken the boy up.

A boy’s desire to see naked Geri is probably the film’s most realistic moment.



12. It’s actually kinda fun

Look, it has some clunky acting, groan worthy jokes and a silly plot but it somehow works in a so daft it’s fun way.

There seems a genuine feel good factor behind it and it powers through. Also some of the fourth wall breaking is kinda smart. It’s a mess but it’s an entertaining one.

Although that could just be nostalgia talking.

Any thoughts? You know what to do. BETEO.


I don’t know when I first heard David Bowie, but I have a good idea that it was in my Dad’s car. I think a lot of us get some pop music education from our parents and I’m lucky that my Dad had some decent taste. The Stones, Dylan and Neil Young were all artists I heard first on cassette on family holidays or when my Dad gave me lifts.

My Dad had the first half of The Best of David Bowie. It collected the 60s and 70s stuff. My Dad was an old school Bowie fan.


To me the album was utterly unique, different from anything I’d heard before. A lot of the songs had a weird, spacey vibe which as a budding geek I was onboard with. I loved that cassette.

There were great story songs like the tragic Major Tom adrift among the stars on “Space Oddity” or “Ziggy Stardust” where Bowie took on numerous voices to tell the story of a band falling apart as their guitarist gets caught up in his own hype. To this day both songs captivate me after uncountable plays, and when the opening chords of “Ziggy” kick in I get a smile on my face.

There were the dystopian lyrics of “Diamond Dogs”, the surreal beauty of the imagery in “Life On Mars?”, the iconic “Changes” and my personal favourite “The Man Who Sold The World”.

Over the years I got to know more about Bowie, the showman with the knack of changing style yet remaining distinctly Bowie. I was less fussed on his later songs with a few exceptions (“Golden Years” and “Heroes”) but he remained an interesting and singular talent.

Other stars of the seventies fell from grace or faded away, either becoming old men of music or else trying to maintain an image they couldn’t pull off anymore. Bowie avoided both of these by keeping going, retaining some of his mystery and in the process cementing his position as a pop culture icon.

Bowie was cool, there’s no other way to put it. But not the cool of a fleeting trend, a distinctive coolness that stemmed from the fact he was courageous in his individuality. He didn’t chase trends, he was just David Bowie.

His music will endure and continue to be loved and inspire.

Bowie’s death hit me harder than I expected, not just because I loved his music and realised that we’d lost a true legend, but because Bowie had become linked with my own life, his songs had become what I sing to myself, the things that remind me of places and times.

That’s why musician deaths hit us so hard. It’s because their music goes beyond what they’ve made, it becomes entangled in our lives. They become the soundtrack of our lives, so David Bowie is more than just a guy who made great pop music, he was the third passenger in the car when my Dad told me daft jokes, old stories I’d heard a hundred times and talked about movies.

He was there on nights out when I danced like a muppet to his tunes. And he was there on countless bus trips or essay writing sessions when I needed to tune out and daydream. He may be gone, but the music will still be there, and in a way that means Bowie will never die.


I’m rambling a little now so i’ll just leave it by saying, rest in peace David Bowie.

Top 5 Bowie Songs

5. “Starman”
4. “Life on Mars?”
3. “Space Oddity”
2. “Ziggy Stardust” (the line “making love with his who, Ziggy sucked up into his mind/ like a leper Messiah” is one of my all time favourite lyrics)
1. “The Man Who Sold The World”

Any thoughts? You know what to do. BETEO.


I woke up this morning to the news that Lemmy had died.

Despite the rocker having lived and partied hard for his 70 years, it came as a shock. Lemmy just felt like one of those faces who had always been there, and you kinda felt always would.


Like most folks my first experience of Lemmy was the burst of fast paced rock genius that is “Ace of Spades”. I can’t remember when I heard it first, but I know I’ve loved it since. That frantic, dashing riff just feels like what rock music should be like, and it’s damn near impossible not to nod along to.

I used to throw myself about to it in rock clubs, air guitared to it in my room and turned it up when it came on, wherever I was.

The lyrics spoke to me and embodied the reckless spirit if rock-

You know I’m born to lose and gambling’s for fools
but that’s the way I like it, baby,
I don’t want to live forever

After the song I discovered Lemmy, an undisputed rock god and legend. His distinctive look, reputation for excess and gravelly voiced charm made him a fascinating character in the pop culture landscape.

I learned about his time with Hawkwind before starting his own band, Motorhead, which is why he became most well known for. Motorhead were a band I fell in love with after seeing them live, supporting Alice Cooper.

They played no-nonsense, head down rock ‘n’ roll with furious pace and Lemmy centre stage. I was lucky enough to see them twice more and enjoyed myself immensely each time, even when Lemmy appeared worse for wear at one Download.

When I decided to get my first tattoo I chose the band’s logo, the monstrous face that appeared on their merchandise, album covers and stage backgrounds.


My iPod boasts a few of their albums and they’re one of my go to bands when I want a bit of bus headbanging or am just in a bad mood and want something to play really f**king loud.

Lemmy was one of a kind. There was nobody else like him, and I doubt we’ll see anyone else like him again.

Lemmy embodied rock at it’s my best- tough, a little bit dirty and bad, charming and fun. He carried himself like he didn’t give a damn, and was enjoying himself immensely. As music became increasingly dull and pop stars neuteured, sanitised shadows of their forebears, Lemmy was like an enhanced version of the rock star.

He wasn’t the best looking, and others surpassed him in talent, but in terms of attitude, persona and raw rock power, few could match him.

Simply put, Lemmy was a rock star. Possibly one of the best of all time. He’ll be greatly missed and the rock world will be duller without him.

A fitting tribute would be to put on some of his tunes, crank up the volume and go nuts.

Might I suggest “Ace of Spades”, “Eat the Rich”, ” Orgasmatron” or “Killed by Death”. Or Motörhead’s cover of “Louie Louie” and Neil Young’s “Cinnamon Girl”.

If you feel like something more subdued, I always loved “I Ain’t No Nice Guy”

RIP Lemmy. It just got louder in Heaven.

Any thoughts? You know what to do. BETEO.

Unpopular Opinion: I’m not that fussed on Beyonce

There seems to be some kind of widespread belief that everybody loves Beyonce. The hyperbolic way she is praised and discussed would mean that aliens visiting Earth could be forgiven for thinking that Queen Bee (that’s the best nickname her fans could come up with? And don’t get me started on “the Bey-hive”) is actually part of global royalty.
Even other celebs have fallen into this, like Anna Kendrick.


But there’s the thing, personally I don’t think Beyonce is all that great.
I’m not saying she’s bad, she’s obviously a talented performer and seems nice enough, but at some point she went from being the successful one from Destiny’s Child to being this kind of towering icon who seems impervious to criticism or even being discussed with perspective.
Don’t believe me? This is how Buzzfeed wrote about her new song;


The song in question failed to produce a tear from me, and I wondered if I was alone in finding it dull. The start where Beyonce sings is perfectly fine, she has a great voice, but it’s nowt special and the rest of the song is just an uninspiring dance track.
For me Beyonce’s best song is still “Crazy in Love” from back in 2003. I’ve likes some of the others, but my reaction to most has been “meh”.
I can’t be the only one who thinks that this is a case of a decent artist being hyped up to icon status rather quickly. The entertainment industry runs on hype but the wholesale buying into Beyonce as this pop goddess leaves me puzzled.


Two of MWF’s friends seem to be fans (I refuse to use the fan group’s name again) and seem to agree with this but I’m unmoved by Beyonce. She’s not terrible, which would be something but there’s something almost mechanical about her career. She does what she does very well but she never seems to push boundaries or try anything drastically different.
And yet no criticism comes her way and her every move is treated as a massive deal and the best thing ever.
Compared with the other female popstars about at the moment she seems lacking in anything approaching an “edge” and, while seeming nice enough, doesn’t capture my attention that much.
What am I missing? Is there some appeal I’m just not getting? Or do others not see what the fuss is about but just get drowned out by the OTT praise and exaggeration.
Any thoughts? You know what to do. BETEO.

What not to wear

I’m not a dedicated follower of fashion to put it mildly, with a style that I’d describe as “lazy chic” (T-shirts, jeans and Hawaiian shirts being my personal favourites), and with others while I might find a few things silly, I go with a live and let live attitude.
That being said there are a few definite no-nos- shellsuits (fire hazard), Cardiff City shirts and Nazi uniforms.
Joining the list is a rather tasteless new product, shirts bearing the suicide note of Kurt Cobain, the Nirvana frontman.
Now, cards on the table time, I was never a massive Nirvana fan. Cobain took his own life when I was about 9 and while I like a few of their songs I was never massively impressed by them.
So I’m not angry as a Nirvana fan at my idol being commercialized (a ship that sailed a long time ago). I’m more disappointed that its got this cynical and invasive.
Cobain’s note is already public knowledge of course, with Courtney Love having read it out shortly after his death, but it’s still a private thing, and an intensely emotional thing. It’s not a fashion statement or something to just splash around
And think of Kurt’s kid, Frances Bean, does she need people making more money off her dad? Or seeing his last words splashed across the chest of some insensitive douche? She has enough on her plate being called Frances Bean.
It just seems to be a crass idea and contributes to the glamourizing of suicide, which we don’t need. If you are a Cobain/Nirvana fan why not get an album cover shirt or something, remember him for his music, not the darkness that led him to take his own life.
Also, it just looks kinda daft on a shirt. It’s long and hard to read. With writing on shirts you should keep it short and snappy.
Any thoughts? You know what to do. BETEO.

Random Song: “Motherlover” by The Lonely Island feat. Justin Timberlake

I’m battling a particularly infuriating earwig at the moment.

The same song is stuck in my head, almost continuously, and slips from my lips far too often. It’s not a bad song, which is nice as it’s a cruel twist of fate that some of the catchiest songs ever made are also some of the worst (Exhibit A), but it’s not a song I should really be singing aloud.

With my voice I shouldn’t be singing anything, as I make Lee Marvin look like Luciano Pavarotti, but there are certain songs that are definite no goes to accidentally blurt out while scanning the shelves of Sainsbury’s. These include most rap songs, a lot of heavy rock, that awful “Thank heaven for little girl’s song” (especially worrying as I live near some schools) and the song which is currently dug in like an Alabama tick.

The song in question is by The Lonely Island, the comedy music group which features Brooklyn Nine-Nine star Andy Sandberg, and who have a string of goofily funny comedy songs. The first song I heard of theirs was “D**k in a Box”, which was a stupid, catchy song that featured Justin Timberlake.

Sandberg and Timberlake

Sandberg and Timberlake

Frankly I’d rather blurt out that song every two hours than run the risk of singing the follow up track, “Motherlover”, also featuring Justin Timberlake, where the two characters they play decide to shack up with the other’s mother to make them feel better having been alone.

MWG introduced me to it and about a week ago had it lodged in her head, meaning we played it on a car ride to try and get rid of it.

I think it worked, or rather the earwig fell out of MWG and transferred to me, leaving me fighting not to blurt out lyrics like “I’m a mother lover, your a mother lover, we should f**k each others mothers” and “give it to my mom d-d-d-d-d-doggystyle”.

These aren’t sentiments which you want to just sing in mixed company. Anyway, I’m sharing the video here in the hope that you all enjoy and also in the hope that one of you can be infected and I’ll be free from it.

There’s a third song featuring Timberlake “3-way” but, despite the presence of Lady Gaga, it’s just not quite as good.

Gaga in the 3-Way video

Gaga in the 3-Way video

Any thoughts? You know what to do. BETEO.