Disclaimer: I have tried but there are a few spoilers ahead, so be warned.
The first Guardians of the Galaxy movie was a surprising gem of a movie, with James Gunn bringing a smaller, more obscure Marvel team to the big screen and expanding the Marvel Cinematic Universe into the cosmos. It’s among my favourites of the Marvel movies and so this follow up arrives with additional pressure the first didn’t.
Luckily it never allows this pressure to effect it’s performance and while a couple of gags are revisited, this strikes out into fresh territory.
Having saved the universe Peter Quill aka Star-Lord (Chris Pratt) discovered his father was not of Earth. This mystery continues to bug him, but he pushes it awau as he leads the Guardians. We find them defeating a gigantic space beast to the backing of ELO’s “Mr Blue Sky”, the action largely in the background as Baby Groot (voiced by Vin Diesel), the child reincarnation of the team’s living tree, dances about happily.
The team has been hired to stop the monster by the Sovereign, led by High Priestess Ayesha (Elizabeth Debicki). The Sovereign, a gold skinned race have bred their people to be the best they can be, and so view their citizens as too precious to risk. Their fee is the handover of Gamora’s (Zoe Saldana) villainous adopted sister Nebula (Karen Gillan) who they plan to hand over to the Nova Corps.
All goes well and they leave. Aboard the ship Peter apologises to Gamora for having flirted with Ayesha, but she brushes this off. Drax (Dave Bautista) advises Peter that he has no chance with Gamora and should instead find someone “pathetic” like he is. Shortly after the Sovereign chase them as on their way out the gruff, gun toting raccoon Rocket (voiced by Bradley Cooper) stole valuable and powerful batteries from them.
Rocket and Peter argue about who is the better pilot and their struggle for control damages the ship. Luckily, the remote controlled pursuers are destroyed by a mysterious figure who arrives astride his own ship. The Guardians escape but crash land, their ship severely damaged.
Ayesha’s next move is to recruit Yondu (Michael Rooker), the alien who abducted Peter as a child to capture the Guardians. We learn that some of the crew think Yondu is going soft and that his team of Ravagers are outsiders to the other clans, with his old friend Stakar (Sylvester Stallone) who says he is an exile because he broke the code, and traded in children.
The Guardians meet Ego (Kurt Russell), who is Peter’s father and a Celestial, beings with great power who live for millions of years. Ego takes Peter, Gamora and the musclebound Drax to teach Peter more of his past.
Rocket and Baby Groot remain to fix the ship and keep an eye on Nebula. Unfortunately, the Ravagers arrive. Yondu announces he has no intention of handing over the Guardians, as there is more money to be made from taking the batteries and selling them on. The crew view this as proof he is too soft on Peter, and they mutiny. Nebula, released by Baby Groot, intervenes and Yondu and Rocket are imprisoned.
Nebula heads after Gamora for revenge, and Yondu and Rocket learn they will be sold to former enemies. Yondu is also not happy to learn that Peter has gone to Ego’s home world.
Ego’s planet is an idyll where he lives almost alone aside from Mantis (Pom Klementieff), an empath who he treats almost as a pet and who has no social skills due to being alone for so long. Ego reveals he is the planet and that Peter shares his ability to create things, and Ego wants to teach him about his powers and his purpose.
Gamora, however, is suspicious which causes friction between her and Peter. After an argument she storms off alone where Nebula attacks, they fight and then discover something Ego has hidden from them.
Can they trust Ego? Can Yondu and Rocket escape? Will the Sovereign ever stop hunting them?
I loved this movie, which captures the same vibe of the original, with solid action sequences, likeable characters and a funny, clever script. The plot hooks you in because early on the characters win you over, particularly Chris Pratt’s Star-Lord, who’s cocky swagger is still in place but mention of his father in an early scene obviously hits close to home. It’s a great performance with Pratt managing to make the character cool despite his buffoonery and the fact that he often trips himself up.
The rest of the Guardians are solid throughout, and it’s a nice touch bringing Nebula back as her relationship with Gamora is fleshed out slightly. Also, the “unspoken thing” between Star-Lord and Gamora develops nicely, and a lot is gained by underplaying it.
A lot of the publicity for the movie has focused on Baby Groot, and it’s easy to see why as he is straight up adorable and centre stage for some of the funniest moments of the film.
For me, however, the film’s strongest asset is Michael Rooker as Yondu. Rooker is consistently dependable on screen (Cliffhanger, Mallrats, The Replacement Killers, The Walking Dead, Tombstone), and has far more to do this time round, which is good as he impressed me in the original. Here we learn more of Yondu’s past and it adds to the character, as does the development of his relationship with Star-Lord and Ego. The plot that sees him in exile from the other Ravagers gives him a certain vulnerability, and he’s brought low early on.
His comeback is impressive and one of the strongest parts of the film, and the sequence where he and Rocket escape, and he gets revenge on the crew who mutinied is a masterpiece, one of the most visually impressive, inventive and darkly funny action sequences I’ve seen in years, and worth the ticket price alone. And his “magic arrow” weapon is just badass.
Rooker’s softening of the character doesn’t mean that Yondu loses anything, and in fact, the character’s slow acceptance of his softer side coincides with the film’s major theme, which is about creating our own families. Yondu and Star-Lord’s father and son vibe, is well handled and Yondu is thereby placed opposite Ego, who slowly reveals a more sinister, cynical nature.
Ego is brilliantly played by the legendary Kurt Russell, who brings an easy charm to his early scenes. His laidback, jokey manner is similar to Star-Lord’s character and their bonding over the music Peter’s late mother loved is gentle and sweet.
Of course, all is not as it seems. Having won over Peter, his facade slips and the invented history he has created is shown to have been romanticised, but the film holds back one more revelation which delivers a gut punch to Peter and the audience, and serves as the turning point for the film.
The action, set on strange new worlds is glorious, the fights have energy and verve, with moments of humour dotted between the blows. The visuals are striking, and there are some nice nods to other Marvel worlds throughout.
But more than just looking great and keeping the laughs flowing, this movie has a strong emotional core. Ego’s shocking statement leaves the audience reeling, but come the end of the movie the other characters and how they work together has you emotionally invested, and breaks your heart. I’m not ashamed to say that during a sequence soundtracked by Cat Stevens I found myself welling up.
Thanos, the villain Marvel have been hyping since the first Avengers movie still lurks in the background, but this serves less as a movie to move the MCU forward, and more a film to move the characters forward. The films pulls the team closer together and the promise at the end that “The Guardians of the Galaxy Will Return” is one I’m very happy about.
A strong contender for the best Marvel film yet, and current frontrunner for film of the year.
Verdict: Builds well on the first movie, adding more to the characters and their relationships. It’s entertaining from start to finish, with superb action, humour and a decent plot. An utter gem. 9/10.
Any thoughts? You know what to do. BETEO.
The cinematic X-Men universe has been a mixed bag, with some of the movies doing quite well (see Deadpool and Days of Future Past), while others were plain awful (X-Men: Origins: Wolverine and X-Men: The Last Stand). The movies have struggled to get the tone right and have also created a convoluted and contradictory timeline, it’s time for a reboot and where better to end it than with the driving force and most consistent part of the series- Hugh Jackman’s Wolverine.
Since the first X-movie only Jackman has popped the claws as the Canadian mutant and while he’s often been in lacklustre movies he’s managed to do the character justice. Now, he is finally given the kind of swansong the character, and his efforts, deserve.
Set in 2029 we find Logan in dark times, working as a chauffeur and living out in the Mexican desert looking after Charles Xavier (Patrick Stewart), who has destructive seizures and seems to be in the early stages of dementia as he enters his nineties. Logan and Caliban (Stephen Merchant), an albino mutant who burns easily in sunlight, keep Xavier drugged to dampen his powers. Logan’s healing powers have slowed, meaning he limps and carries severals scars. He hopes to save money to buy a boat and sail away with Charles so that his seizures can’t hurt anyone.
The other X-Men are revealed to be dead and mutant kind has died out, with no new mutants having been born in decades. While on a job Logan is approached by a Mexican nurse Gabriella (Elizabeth Rodriguez) who asks for his help as she is being chased by shady figures. Logan refuses to engage with her and leaves. One of these, the cybernetically enhanced bounty hunter Pierce (Boyd Holbrook) who works for the Transigen corporation. Logan denies all knowledge and Pierce tells him to call him if he hears anything.
Logan is called to another job but it turns out to be Gabriella who has arranged it, she offers him $50,000 to take her and her daughter, Laura (Dafne Keen) to North Dakota and a safe place known as Eden. The money will be enough for the boat and Logan reluctantly agrees, however when he returns he finds Gabriella murdered. Returning to Mexico he discovers that Laura has stowed away in the boot of his limo and Pierce arrives shortly after. Xavier claims to communicate with her and says they must keep her safe.
Logan is subdued by Pierce’s men, but Laura then reveals that she too has adamantium claws, similar to him and kills many of the men. Logan, Laura and Charles escape and head for North Dakota with Pierce in pursuit, using Caliban and his mutant tracking powers to continue the hunt.
A message left by Gabriella reveals that Transigen bred new mutants, using DNA they had on file in order to develop super soldiers, of which Laura is one of the X-23 programme. However, upon discovering that Transigen had decided to abandon the project due to the fact the kids were hard to control she and several other nurses helped the kids escape before they were “put down”.
Will the jaded Logan be able to form a bond with Laura? Can they make it to North Dakota, and if they do will the promised safety exist or merely be revealed as a dream? And what have Transigen created to replace Laura and her peers, and will Logan be able to defeat this new threat in his weakened state?
I have to say I really enjoyed this movie, which felt like a solid conclusion to the series and a good place to leave this version of Logan. However, I appreciate that it won’t be for everyone and the downbeat, bleak future wasn’t appreciated by MWF and the friend we saw it with. For me, it worked and I liked the way it slowly revealed the fate of the other mutants and the reasons for their extinction.
Rated 15 here in the UK this is by far the darkest and most brutal film in the series, and the first time that Wolverine’s berserker side has really been shown. Previous fights have always been rather bloodless and tame, but this kicks off with a brawl where Logan takes on a gang of criminals in a fast, vicious encounter. It’s good that after suggestions of his dark side we finally get to see it on show here. Otherwise it’s all just a lot of sound and fury signifying nothing, as is the case in Doctor Who where they repeatedly tease that he was a badass during the Time War only to never deliver on this.
It is hard work in places and Logan is a lot more bitter and jaded than his last outing which makes sense, we left him during the cheerful altered present of Days of Future Past, surrounded by friends at the Xavier School, so it stands to reason that years down the line, with his friends gone he would have reverted to his angry, cynical ways. There’s a suggestion that the X-Men didn’t go out in glory and there’s definite tension between Logan and Xavier, and when it’s finally revealed what happened it’s a gut punch of a twist.
The whole road trip is a tough journey, with tragedy and violence dogging the trio across the US, and the stakes feel higher than in any previous movie.
It’s here I have to give a lot of praise to Patrick Stewart, who does a sensational job as the ageing, shattered Xavier. His performance is genuinely moving, almost heart breaking as he captures the sense of a man long dependent on his mind who is now losing it slowly. His crankiness and vitriol is a world away from the dignified, compassionate leader of the past, but there are glimpses of this throughout, especially when Laura arrives and he sees the opportunity to aid her and do the right thing. It’s quite nice to see that the relationship between the two has changed and shifted, and that there’s some closure between then.
But this is Jackman’s movie and he excels again as Logan, capturing all the different aspects of the character- the brooding loner, the reluctant hero, the savage and even the man trying to do better. Coughing, limping and stiff it’s a shock to see the most robust of the X-Men in such a state, and yet it works.
The rest of the cast do their jobs extremely well, with props going to newcomer Keen who captures the almost feral detachment of Laura and who slowly gets the audience to feel for her while avoiding any child actor cliches or excesses. Her relationship with Logan develops slowly and at times unsentimentally, and it’s interesting to watch as she slowly tries to form a bond with someone for the first time while he tries to pull away due to the fact that he’s lost so many people.
The villains are well done, especially Richard E. Grant as a slimy, manipulative scientist behind the experiments.
The bleak future world is wonderfully executed, with machines replacing human workers, a gigantic wall at the Mexican-US border and a sense that corporations are running the show now. The reason for the absence of mutants is revealed in quite a clever way, and the quest to safety is tense as throughout it’s never certain what awaits the group when I get there.
The final sequence, a mad dash for safety and Logan unleashing his berserker side against Pierce’s men and the latest Transigen experiment X-24 is bruising, vicious and intense. The ending is emotionally raw and well played, and a fitting finale for the series.
As a series the X-movies have often stumbled, but it’s good to see that they stride out on a high, a well executed and solid movie. It’s the most grown up of the series, and not just because of the blood and swearing, it feels like the story of a grown man still struggling with who he is and what his purpose in the world is. Jackman shows again why he was brilliantly cast as Wolverine and leaves big shoes to fill in the inevitable reboot.
Although it is a shame we won’t get to see Jackman’s Wolverine team up/fight Ryan Reynolds’ Deadpool.
Verdict: Dark, brooding and bleak this is the most grown up and emotional of the franchise. Jackman and Stewart excel playing aging, failing versions of their characters dealing with loss and change. The plot is solid and moves along well with a few nice twists along the way. Finally a film that delivers after a series which often botched its potential. 9/10.
Any thoughts? You know what to do. BETEO.
So, I saw a fair few new movies this year and these were my favourites.
10. Doctor Strange
Marvel goes magical as Benedict Cumberbatch dons the cape as the sorcerer supreme in a hugely entertaining and gorgeous to look at movie of a selfish man forced to reassess his priorities and become a hero. Full review.
Rebooting a much loved and well crafted movie was always going to be tricky and the makers of this flick caught a fair amount of flak. I loved the original but the new version worked for me. It kept the laughs coming and the four leads all did their jobs well. As good as Murray and Co? No, but still pretty damn good. Review.
8. Captain America: Civil War
The biggest Marvel movie so far pits hero against hero as Iron Man (Robert Downey Jr) and Captain America (Chris Evans) clash over new restrictions on the heroes. Great fight scenes and a solid story ensure this is an entertaining super flick up there with the best in the MCU. It also introduced the latest on screen Spider-man who’s probably the best so far, and that’s just after a few minutes.
I’m Team Iron Man, by the way. Find out why.
7. Pete’s Dragon
A gloriously warm and charming story about a boy raised in the wild by a dragon and his journey to find a new family. Reduced MWF to tears and left me a little choked up too. Magical filmmaking. Review.
6. The Revenant
A gritty and at times grim tale of survival features a fantastic central performance from Leonardo DiCaprio and is utterly gorgeous. Thoroughly gripping throughout. Full review.
5. Fantastic Beasts and Where to Find Them
I have mixed feelings about the Harry Potter films but this prequel/spin-off really worked for me thanks to the fantastic beasts living up to their hype and a core group of very likeable characters. Really charming film. I rave about it here, but there are spoilers.
Ryan Reynolds gets the superhero he deserves as he plays the crude, wise cracking mercenary granted superpowers and out for a cure. Gloriously OTT violence, postmodern humour and a real sense of fun this movie was a real winner for me. Read me barely containing my man crushing here.
The latest Disney movie features a strong female lead embarking on an exciting adventure and a scene stealing turn from Dwayne Johnson. Great fun. The full review is here.
A Disney film with a buddy movie vibe fused with a noirish conspiracy this is a wonderful movie with a good message at the heart. There’s also a fantastically creative and innovative world created. Loved it and it stands up to repeat viewings. Review.
1. The Jungle Book
A remake of a much loved classic that I was nervous about which actually blew my socks off. Fun, moving and gorgeous this was a masterpiece. The voice cast is good, the thrills gripping and the characters loveable. A gem of a movie and I gush about it here.
Have I missed one of your personal favourites, or picked a movie you hated? Let me know, but keep it civil!
You know what to do. BETEO.
Marvel continue to expand their cinematic universe here, taking a second tier character and moving into the more mystical aspects of the universe. I’ve always kinda dug the Doctor Strange character and the way the comics mixed magic into the superhero world and the movie works in much the same way.
Dr Stephen Strange (Benedict Cumberbatch) is a brilliant but arrogant neurosurgeon who lives a life of luxury. His over confidence rubs colleagues up the wrong way but he is respected for his skills, especially by his ex, ER doctor Christine Palmer (Rachel McAdams), who he continues to have a flirtatious relationship.
While driving to a speaking engagement and distracted by his phone Strange crashes, severely damaging his hands. Unable to continue his career he burns through his savings in a futile search for a way to fix his hands and sinks into bitterness, pushing Christine away after he becomes angry at her perceived pity. Meeting a man who recovered from irreversible paralysis, Strange learns he was healed after visiting a place called Kamar-Taj, in Katmandu. Using the last of his money Strange travels in search of answers.
There he finds a mysterious group headed by the Ancient One (Tilda Swinton), who speaks of spirit and magic. Strange dismisses this as nonsense until the Ancient One shows him his astral form and the different dimensions. She is reluctant to teach the arrogant Strange but her student Mordo (Chiwetel Ejiofor) urges her to take him on and finally she agrees.
Strange is introduced to a secret world, discovering the forces and powers at work I’m the universe and becoming adept at the mystic arts. Kamar-Taj is linked to three sanctums which exert a sort of force field that protects Earth from interdimensional attack.
His photographic memory allows him to learn spells quickly, and he frequents the library run by taciturn sorcerer Wong (Benedict Wong). He reads a book which has been damaged, learning that pages were stolen by Kaecilius (Mads Mikkelsen), a former student of the Ancient One who has gone rogue, aligning himself with a Dormammu a powerful being from the Dark Dimension who seeks to absorb more dimensions into his power. Kaecilius believes that this will save mankind from the ravages of time and death. He is disillusioned with the Ancient One and believes she has lied to her followers.
After they attack the London sanctum Strange escapes to New York where he attempts to stop Kaecilius and his followers. Despite his inexperience he manages to hold them off until Mordo and the Ancient One arrive to help, but New York falls. Strange and his allies realise that the final sanctum in Hong Kong must be protected and rush there to make a final stand against Kaecilius.
Can they stop the Dark Dimension from engulfing the Earth? Has the Ancient One been hiding things from her followers? And will Strange heal his hands, or does he now have a greater goal to pursue?
I really enjoyed this film which went in a slightly new direction for Marvel and was extremely good fun. The visuals, especially during a trippy sequence where Strange is sent flying through alternate dimensions are glorious and the psychedelic feel works. Plot wise it’s formulaic in places- arrogant self absorbed hero has to realise there is a bigger game at work, adjust his priorities and triumph.
But the formula is carried off well, in large part thanks to Cumberbatch, who can do arrogant genius in his sleep (Sherlock, The Imitation Game, Star Trek Into Darkness) and here he is entertaining as the strutting Strange. He also does a good job keeping the character’s glib nature even when he finds himself out of his depth.
It also works because he gives brief glimpses of vulnerability cracking through the bravado but like Marvel’s other bearded hero Tony Stark, he has the quick wits to get out of most situations.
The rest of the cast is a little less impressive, with Mikkelsen being a rather dull villain and the Ancient One not getting much depth. Worst of all is how criminally underused the always charming Rachel McAdams is. She has very little to do and it’s a shame that a good actress doesn’t get anything to sink her teeth into.
However Ejifor carries himself with class as Mordo and his rigid world view sets him up to clash with Strange’s reckless use of magic and should develop nicely in further instalments.
The final face off is rather smartly done, and the effects are glorious. The fight scenes are well done, particularly a sequence where Strange and a foe battle in the astral plane and their actions cross over into the real world. Another nice touch is that Strange’s Cloak of Levitation is given a personality of itself, kind of like the magic carpet in Aladdin.
It’s not the strongest Marvel movie but it’s incredibly good fun and takes the MCU in new directions while still feeling part of it in terms of tone and characters. Definitely left me wanting to see more of the good Doctor.
Verdict: Lots of fun and with great visuals, the film is carried by a charismatic performance from Cumberbatch. The action sequences are handled well and it’s an interesting and entertaining addition to the Marvel Universe. 8/10.
Any thoughts? You know what to do. BETEO.
The X-Men series has always been a mixed bag, with the movies getting some things right (the casting of two generations of Xavier and Magneto, the Deadpool movie, Hugh Jackman as Wolverine) and some things rather wrong (pretty much everything in X-Men: Origins: Wolverine, Emma Frost). This continues to be the case here, with the movie succeeding but in a frustrating manner.
Picking up a few years after Days of Future Past in the early 80s, it finds a world where human and mutant relations are still tense but improving. Charles Xavier (James McAvoy) continues to run with his school, isolated from the world and helping his students master their powers.
Former friend turned enemy Erik Lehnsherr aka Magneto (Michael Fassbender) is in hiding in Poland, where he lives a quiet life with his wife and daughter. But when he uses his powers to save a co-worker’s life he is exposed and tragedy follows.
The tragedy makes him vulnerable to the influence of a new threat. Having lain dormant since Ancient Egypt, the world’s first mutant En Subah Nur (Oscar Isaac), has returned. He plans to cleanse the weak from the Earth and rule, and to aid him he gathers four followers, mutants whose powers he enhances. This earns him the nickname Apocalypse.
He recruits Magneto along with a winged cage fighter Angel (Ben Hardy), Psylocke (Olivia Munn) a violent psychic who can create weapons from psychic energy and a young thief with powers over the weather, Storm (Alexandra Shipp).
Apocalypse’s return is felt around the world, including by Jean Grey (Sophie Turner) a powerful telepath at the school, who has nightmarish dreams of what he plans.
Fearing for Erik, shape changer Mystique (Jennifer Lawrence) returns to the school along with the teleporting Nightcrawler (Jodi Smit-McPhee) who she rescued from a mutant fighting ring. She wants Xavier’s help, and is reunited with Hank McCoy aka Beast (Nicholas Hoult), her former lover with whom things remain tense.
Charles’ power draws the attention of Apocalypse who kidnaps him, and the mansion is destroyed in the process. The US military then captures Mystique, Beast and Quicksilver (Evan Peters).
Nightcrawler joins Jean and Cyclops (Tye Sheridan) and they attempt to rescue their friends and work out how they can stop Apocalypse, if they can. What are his plans for Xavier? Can the inexperienced heroes save the day? And is Charles’ faith in Erik’s goodness misplaced?
Quite complicated stuff, right? And that’s one of the movie’s strengths and weaknesses. The plot is quite involving and there are quite a few interesting subplots and character arcs, but because of this a few are a little undercooked, even with the movie clocking in at over two hours (it doesn’t feel that long to be fair), it’s hard for all the aspects to get a fair crack.
This means that while some parts work perfectly, others are frustratingly underdeveloped and some just flat out fail. I’ll focus on what works first.
The casting is solid across the board and the returning players like Lawrence, Hoult, Peters, McAvoy and Fassbender all know what they’re doing and have a good feel for their roles, with Lawrence in particular impressing as a conflicted, lost Mystique who struggles with being regarded as a mutant hero.
It’s a strong performance, with Lawrence managing to capture the character’s fears and inner turmoil well without lurching into moping and she also shows the character developing into a badass leader, her own experiences helping her rally the younger mutants she finds herself in charge of.
The character of Quicksilver is vastly different from his comic book counterpart, but works well with Evan Peters making him a likeable slacker who gets one of the film’s best action sequences and who exudes an easy charm.
Hoult is good in the role of Hank McCoy, even though as a fan of the comics I hate that they’ve made the Beast a bit of a wet blanket and moper. If they reboot the series, could we please have the chatty, happy beast from the comics?
Several of the newcomers do well, particularly Tye Sheridan who gets to play a relaxed, impulsive Cyclops although the movie shows him starting on the road to being the serious leader he becomes. He shares decent chemistry with Sophie Turner, who is very good as the confident Jean Grey.
While his performance as Magneto is great, capturing the rage and power of the character, Michael Fassbender is let down by the storyline he gets. While his anger and decision to join Apocalypse is understandable, it doesn’t feel completely convincing especially as the plan unfolds. Apocalypse’s plan is so awful it’s hard to imagine that Magneto would sign up so easily.
Similarly dealt a poor hand is the character of Storm who has been criminally misused in all the X-films. While Alexandra Shipp looks the part more and carries herself with more badass flair than Halle Berry ever managed her storyline is woefully executed. A neat trick is used to have Apocalypse use their language barrier to trick her as to her intentions, but it takes her far too long to realise that he’s a wrong ‘un. And her decision to come good is late in coming and inspired by one minor act rather than the mass destruction that proceeds it.
The character is horribly underwriiten, and while an improvement, it’s annoying to see a strong, leading lady of the team relegated to the sidelines once more.
Storm becoming a good guy isn’t a spoiler is it?
Now the villain, Apocalypse has serious powers and his “strong survive” attitude is a good motivation but he feels like a watered down version of the books character and the look doesn’t quite work for me. His posturing and view of himself as a godlike figure makes him a good villain, as does his callous streak. But it felt like something was missing, particularly how quickly he wins over his horsemen.
All in all it’s a frustrating watch, with some massively entertaining sequences and a crowd pleasing cameo (which only confuses the timeline more) and some good performances, but the missteps jar you out of it and the timeline of the films is now so muddled none really work, although they seem to have decided to pretty much erase X-Men: Origins: Wolverine from the continuity, which is a good thing.
The formation of a new team is bound to make fanboys happy and it just about works, but after the excellent Days of Future Past this is a step backwards. Entertaining, but it feels rushed and underdeveloped. It might actually have been worth making this a two partner, to fully explore the characters and maybe have the changes have more weight and reason behind them.
It keeps you hooked, and there are great fights, a few laughs and some nice moments, but those problems gnaw at you and stop you fully going with it.
Verdict: Hit and miss heroics. Some nice touches and solid performances carry it through, but there are quite a few flaws and the characters are underdeveloped. On the whole it just about wins out. 7/10.
Any thoughts? You know what to do. BETEO.
WARNING! A few spoilers ahead.
First things first, not sure this should be classed as a Captain America movie as it feels more like an Avengers thing, and MWF agrees with me on this. But as the MCU continues to grow they knock this one out of the park with an epic movie which will have lasting impact on the characters.
The plot deals with a rift forming between the Avengers. After Captain America (Chris Evans) leads a mission in Nigeria that results in the death of several civilians the Avengers have to deal with the question of accountability. Tony Stark (Robert Downey Jr), struggling with guilt and the responsibility of being Iron Man, agrees to a UN charter which would see the Avengers being under stricter rules.
The deal is proposed to the team by Secretary of State Thaddeus “Thunderbolt” Ross (William Hurt), last seen in The Incredible Hulk. And the rift forms, with Black Widow (Scarlett Johansson), Vision (Paul Bettany) and War Machine (Don Cheadle) agreeing to sign while Cap expresses concerns and doubts, echoed by Falcon (Anthony Mackie) and Wanda Maximoff AKA the Scarlet Witch (Elizabeth Olsen).
During a signing of the accord attended by Black Widow, a bomb is detonated killing the King of Wakanda, the African nation where Vibranium is produced (what Cap’s shield and Ultron were made of). The bomb is believed to be the work of the Winter Soldier AKA Bucky Barnes (Sebastian Stan), Cap’s old friend who was frozen and brainwashed as an assassin.
Cap and Falcon go after Bucky, to safely bring him in and work out what’s going on. But they encounter resistance from the new Wakandan king T’Challa (Chadwick Boseman), who is the current untry’s protector under the name Black Panther. After a fight and chase all four are arrested by local forces and War Machine.
Meanwhile, a shady figure known as Zemo (Daniel Bruhl) has been looking into the details of the Winter Soldier and arrives at the facility holding Bucky and conducts an interview as a psychologist. He then triggers Bucky and stages an escape, which sees Bucky fight Tony, Black Widow and the Panther.
Bucky reveals some of his memories of other, more volatile subjects of the Winter Soldier programme and that he was framed for the bombing. Captain America plans to investigate these and clear Bucky’s name, but expecting problems from Tony and the others, calls for back up.
Hawkeye (Jeremy Renner) comes out of retirement to rescue Wanda who has been under house arrest and who defeats Vision in their escape. They also recruit Ant Man (Paul Rudd) to join them against Stark’s team, which now includes the Panther. Stark returns to the US to recruit Peter Parker (Tom Holland), a teenager who has gained superpowers and become a vigilante in New York.
After a tense stand off between Stark, Widow and Captain America the two teams fight. Cap and Bucky manage to escape but their allies are captured and War Machine is severely injured.
Following this Stark begins to wonder if there is something to Cap’s story about Bucky being framed and he follows the duo who are on Zemo’s trail. Zemo arrives at the Winter Soldier facility but what is his endgame? And can the heroes overcome their differences or are the Avengers done for?
Long synopsis, right? Thankfully the film never feels overlong or drawn out and it moves along at a great pace. It also benefits from being one of the best Marvel movies thus far and having a good sense of the characters at play and their relationships. New characters are introduced and done so in a decent manner, but the real strength is the time taken by Marvel to build the world over several films.
At the heart of the movie is the clash between Captain America and Iron Man and it’s to the film’s credit that at the beginning both sides make sense and it is a genuine debate. Neither side is judged and as a viewer you feel torn by the decision they face.
Both Evans and RDJ are now comfortable in their roles and despite their differences their characters are shown to have some affection and respect for the other. It’s important as it means the rift that follows means more and is tougher on the characters and the audience.
RDJ has really done great work as Tony Stark, developing the character immensely from the slick playboy of the first Iron Man movie and yet keeping the essence of the character intact. Tony is driven by ego, he is sarky and smug at times, but he’s grown into a more world weary figure, and one more driven by doing what is right.
Captain America has similarly developed, but maintains the core nobility that makes the character the leader he is. However, there are a few shades of grey thrown in. How much of Cap’s actions are down to his almost blind loyalty to Bucky, the last remaining connection to his past?
While Cap’s reservations about the accord are understandable, as the film progresses I found myself leaning more towards Team Iron Man, as Cap repeatedly makes decisions driven by his need to protect Bucky. The conclusion, where Zemo’s plan is revealed and the Tony-Steve relationship utterly fractures is a real gut punch and the aftermath is genuinely moving, but includes one revelation which upsets the Captain’s position on the moral high ground.
While this clash is at the centre there’s plenty else on offer here, with the new characters being interesting. The Black Panther is a badass and Boseman gives the character liability and dignity.
Really making his mark is Tom Holland as Spider-man. He manages to perfectly capture the enthusiastic geek side of Peter Parker and his constant chatter during the major fight sequence is entertaining and in keeping with the character from the books.
In returning roles Mackie, Stan, Olsen, Renner and Bettany all do their jobs well enough, and I particularly liked the quiet moments between Vision and Wanda, with the synthetic Avenger showing faltering attempts at kindness and friendship. Hopefully this will be developed in further movies.
Scarlett Johansson is strong as Black Widow, who is probably the most conflicted of the Avengers. Closer to Cap she nonetheless sees the logic in Tony’s arguments, and her loyalties are tested throughout. It’s be nice for Widow to get a solo adventure, as Johansson is consistently impressive yet too often a secondary character.
The movie succeeds because it follows the Marvel formula, but it also tests new ground- fresh characters and a more complicated narrative with the major clash being between two sets of good guys. The action sequences are well done and the variety of heroes on show means there are plenty of quality moments, and it’s a marked improvement in the repetitive robot smashing of Age of Ultron.
It manages to pack an emotional punch while retaining it’s sense of humour and the script is full of great lines and moments. The film works as a continuation of the MCU and as a stand alone and the consequences which will follow in the forthcoming adventures should make for entertaining viewing. The Marvel Universe goes from strength to strength and this is one of the best entries, a blockbuster with spectacle, great characters and genuine emotion.
Verdict: Another belter from Marvel which hinges on the solid performances of Chris Evans and Robert Downey Jr, who capture the disintegrating relationship at the heart. The movie cleverly avoids choosing a side and allowing both sides decent arguments, and it has some big moments which should have long reaching consequences for the MCU. The supporting cast are great across the board and this is a hugely entertaining movie. 8.5/10.
Any thoughts? You know what to do. BETEO.
The marketing for this movie has been so good that I feared that when I finally settled in to watch it yesterday witg MWF and my youngest sister we’d all be in for a disappointment. Thankfully however it delivers.
The movie whips along at a great pace and both the humour and action deliver throughout. The title sequence alone is hilarious and sets the tone for the irreverent and violent movie to follow. The laughs come thick and fast and Ryan Reynolds is in his element as the wise cracking title character. This is great for the audience as Reynolds has made no secret of how much the failure to use the character in X-Men: Origins: Wolverine hurt him, it irked a lot of nerds and I’ve written about it once or twice.
Reynolds owns the movie, narrating the tale with knowing gags and allusions. The breaking of the fourth role is something the character does in the books and it works here, making it a little different to your average Marvel hero movie.
It’s not a massive breakaway though as the origin story and revenge aspect is familiar turf, but it’s still a raucous and funny flick. The plot concerns mercenary Wade Wilson (Reynolds), who meets and falls for Vanessa (Morena Baccarin) who can match him sarky comment for sarky comment. All is good until Wade is diagnosed with inoperable cancer. Clutching at straws he joins a shady program that will make him a superhero.
It turns out this is a lie and the leader is Ajax (Ed Skrein) a mutant who can feel no pain and is bringing dormant mutations to the surface to create super slaves. Wade’s mutation kicks in and he develops enhanced healing abilities but is left scarred and disfigured, fearing that he can’t return to Vanessa he dons a mask and heads after Ajax to get his face fixed and some payback.
Along the way he is assisted by X-Men Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand). Colossus feels that Deadpool is wasting his powers and should join the team to help the world.
This led to one of my favourite fourth wall breaks as Wade points out that he visits the X-mansion but only sees two “as though the studio couldn’t afford a third X-Man”. Colossus is different from his previous on screen portrayals, here a cheesy goody-two-shoes and Russian as he is in the comics, NTW is a traditional moody teen.
What follows are some wonderful OTT fight scenes that vary from cartoony to bone crunchingly vicious and there are some ace sight gags, including a gross bit mid healing. The jokes never let up and there was consistent and loud laughter from the audience I was with yesterday.
I loved it and the cast are great, even if Reynolds owns the movie. The standouts for me are TJ Miller as Wade’s mate who gets some fantastic jokes and with whom Reynolds bounces off brilliantly. The scene where he reacts to his friend’s scarred face is a bad taste masterpiece.
Skrein is decent enough as the villain, aided by Gina Carano’s Angel who is a bruising, tough henchwoman who has an entertaining smackdown with Colossus.
It’s gleefully stupid and crude in places, but that works for me and I thoroughly enjoyed. It probably won’t stand up to many repeat viewings but it’s a whole lotta fun and Reynolds is such a good fit as Deadpool it’s up there with Reeve as Superman and Ledger as Joker for excellent comic book casting.
I eagerly await the sequel and wholeheartedly recommend this to all Marvel fans and anyone who likes violent, cheeky comedy.
Verdict: Not as revolutionary as it might lead you to believe but still a fresh approach to superhero movies. The laughs and fights flow freely and Reynolds is sensational. For some it might be too crude and bloody, but it works for me. 8/10.
Any thoughts? You know what to do. BETEO.
Normally I do a top 10, but this year I missed a bunch of movies I wanted to see and when I made a ten list it felt like I was championing a lot of films I wasn’t that impressed with.
As ever the list is personal and based on enjoyment, so while I feel number 5 is probably more well made and interesting than some placed higher, I enjoyed the others more.
An interesting and brooding sci-fi thriller that keeps you guessing and boasts three extremely strong lead performances. Full review here.
4. Star Wars: The Force Awakens
JJ Abrams gets the Star Wars saga back on track, it might retread old ground in places but it made this geek very happy. Manages to respect the originals while also laying the groundwork for the future of the series. Returns warmth and humour to the franchise. Review.
3. Jurassic World
A surprise as a sequel around 20 years later knocks it out of the park. A pure thrill ride, which continues Chris Pratt’s incredible run of form and almost matches the classic. It moves quickly and engages throughout, an almost perfect blockbuster. Review.
2. Big Hero 6
Disney and Marvel meet for a sweet, moving story about superheroes which touches on themes like grief, loss, the dangers of revenge and obsession. It boasts a hilarious script and moments of genuine emotion, and in Baymax boasts one of the most likeable Disney characters ever. Review.
1. Inside Out
An inventive and clever movie which explores emotions and memory in a unique and emotive way. It has funny moments throughout, but it’s the emotional punch that sticks with you, and left me choked up. A wonderful concept flawlessly executed and allows audiences to think about emotions in a new way. A gem. Review.
Any thoughts? You know what to do. BETEO.
The first Avengers movie was such a success that you suspect afterwards Joss Whedon and Marvel might have been a bit scared, having built up their cinematic universe they delivered a grand slam which united several of their key characters for a team up and it won great reviews and took a bunch of cash. The movie was pretty much a flawless blockbuster which managed to include crowd pleasing action sequences with some great dialogue and characterization.
They’d raised the bar so high that a sequel was always going to be even more challenging.
The bad news is that Age of Ultron isn’t as good as Earth’s mightiest heroes’ first outing, it’s still a hugely entertaining superhero flick, in fact, leaving the cinema MWG asked me what I intended to score it today and agreed with me on it being worth a “solid eight”.
But the script doesn’t have the same zing and some of the plot is a little convoluted. But these flaws aside it still manages to deliver action, laughs and jaw dropping spectacle while also succeeding in moving the Marvel cinematic universe onto it’s third stage.
The movie kicks off in some style with the Avengers in action against Hydra forces. It transpires that they’ve been chasing and dismantling Captain America’s (Chris Evans) old foes and are trying to reclaim the mind controlling sceptre previously wielded by Loki, brother of Thor (Chris Hemsworth), the God of Thunder. During the mission the whole team represents, including a fantastic shot which seems like a comic book splash page come alive.
During the attack two new superpowered enemies enter the fray, Hydra operatives referred to as “the Twins” Wanda and Pietro Maximoff (Elizabeth Olsen and Aaron Taylor-Johnson, respectively). Pietro is gifted with extreme speed while Wanda has telekinetic powers and also the ability to mess with people’s minds, which she puts to good effect conjuring a nightmare scenario for Tony Stark aka Iron Man (Robert Downey Jr) as he sees a world at the mercy of alien invasion and his teammates dead.
The Twins flee as the Avengers win the day, although Hawkeye (Jeremy Renner) is injured. We also see that Black Widow (Scarlett Johansson) and the Hulk (Mark Ruffalo) have formed a bond and it is her responsibility to calm him down after missions, returning him to Bruce Banner. Their bond is also shown to go beyond this and there’s a mutual attraction between the two.
Back at the Avengers HQ and in possesion of the sceptre, Stark talks to Banner about using its power and the Hydra tech to create an artificial intelligence that will govern Tony’s robotic legion and protect the world from future alien threats.
Before you can say “Terrible idea”, it’s all gone a bit wrong and the artificial intelligence Ultron (voiced by James Spade) has gone rogue, identifying the Avengers themselves as a threat and escaping online. Ultron begins building an army of robots, all of which are him in essence and teams up with the Twins, who have beef with Stark after his weapons killed their family, and they set about trying to eliminate the Avengers.
The first encounter in Africa goes wrong, with Thor, Black Widow and Captain America having their brain scrambled by Wanda. Ultron escapes with the rare metal he requires to “evolve” and Iron Man has to intervene against the Hulk, who has been sent into a rage by Wanda. They square off as Iron Man initiates his Hulkbuster suit and they smash about for a bit before the Hulk is subdued.
On the run they have to work out what Ultron’s next move is and how they can hope to stop him. They also have to deal with the issues raised by the hallucinations Wanda gave them and also rebuild the trust which has been shattered by Stark’s secretive movements in creating Ultron.
Meanwhile, Ultron himself creates an android form, using the gem from the sceptre, which will grant him greater power, although Wanda begins to question his motives. When he tries to link with the android form she sees his true plan and the twins flee.
The Avengers head to South Korea get the android body, but Black Widow is taken prisoner. Returning to New York, Tony wants to implant Jarvis (voiced by Paul Bettany), his computer butler/assistant into the android to give them an extra weapon against Ultron, although Captain America opposes this and tensions flare.
Can the Avengers overcome their differences and stop Ultron? What is his plan? With the android in their possesion are they right to create another AI to attempt to stop Ultron, or is this a bad idea? What role will the twins play in the final showdown?
As you can tell the story jumps around the place quite a lot and there’s a fair amount going on. For the most part it’s easy to follow, but there are a few times when I had to take a beat to remind myself of what was going on and where. That being said, it is engaging once you remember where you are and the film has many strengths, most notably the cast.
Everyone seems more comfortable in their roles and it’s nice that the film takes the time to expand on certain things, and the relationship between Banner and Natasha is handled wonderfully and quite touching. Johansson does a great job of making the Black Widow believable and real, meaning that we understand why Banner appeals to her and their similarities, both haunted by their past and fearful of putting others in danger. Ruffalo is, as ever, extremely likable as the awkward, geeky Banner, haunted by having to unleash the beast within, even when it’s in a good cause and a scene where the human Banner threatens Wanda feels totally in keeping with the character. His rage at Wanda for causing his rampage reflecting his issues with the Hulk being used by others.
Best of all, for me, was the fact that Jeremy Renner’s Hawkeye has a lot more to do this time around. Aware of his limitations compared to his superpowered teammates, Hawkeye’s background is fleshed out and we see his driving force- professionalism. He’s there to do a job, and he’s dedicated to it, almost fearless when confronted with danger and, barring Black Widow, the most vulnerable, he nevertheless joins the charge. It’s nice that they’ve expanded on the character, although I still doubt we’re going to get a Hawkeye movie, or even a Hawkeye/Black Widow movie.
Evans, Hemsworth and RDJ are all on top form, particularly RDJ, who continues to make Stark the most engaging character. The superficial suave air from the first Iron Man movie has been stripped away, and we see more of the man inside the suit, scared and worried for the future, even if he does still hide behind the quips (needless to say, he gets many of the best lines in the movie).
As for the newcomers, they do pretty well. The twins are pretty cool in the power stakes, and it’s a credit to Olsen and AT-J that they convince as being close, loving siblings. ATJ, after boring me senseless in Godzilla, is back on fine form here, conveying both sides of Pietro’s personality- the angry, vengeance seeking young man and also the big kid who revels and enjoys his powers.
Olsen is wonderfully cold as Wanda, single minded in her quest for revenge and remorseless in messing with the minds of others, although she does show flashes of decency and even at the start she and her brother believe themselves to be the good guys against the imperialist Americans.
Doing a wonderful job at the mic for Ultron, James Spade is a delight. The product of Tony Stark he has much the same sarky manner as his creator, and an even less secure grip on his ego. One of the things the movie does is have clear similarities between the two, they deliver the same quotes and make the same jokes. It’s all rather well done and Ultron is quite a menacing presence, especially given his unpredictability and rages.
The one downside with Ultron as a villain is that he’s made an army of Ultrons, meaning that some of the fight scenes, particularly with Iron Man, are a bit confusing and it almost tips into Transformers territory of metal hitting metal with no idea what’s what. The other problem is that despite their numerical advantage we see far too many Ultrons go down easily- if Thor or the Hulk smashes one, we’re impressed, but if they can also be taken down by a single arrow or shield throw they’re not massively intimidating.
It would help if the Ultron Prime was even more impressive, stronger and evolved than his minions, but the difference isn’t great enough and so his threat isn’t quite as pronounced. Still, his plan is fabulously OTT and the fight scenes do succeed in capturing that comic book feel, where everything is going on at once. Rather than cutting from one throwdown to another Whedon uses camera moves and flying debris to weave between the battle, picking out individual moments in the melee.
All in all, Whedon succeeds in making a sensational blockbuster and superhero movie, and the MCU continues to grow and impress (the final Avengers line-up looks pretty boss, and it’s nice to see some of the smaller characters get screen time). It doesn’t match the first, but that was always unlikely, but it’s still a solid movie and puts more pressure on DC’s Justice League reveal.
Verdict: Not as solid as the first, but still hugely entertaining and fun. The film expands on it’s characters and as with previous Marvel flicks leaves you eager for more. Roll on phase three! 8/10.
Any thoughts? You know what to do. BETEO.
It was a no-brainer that I’d go and see this movie in the cinema, as it’s the kind of movie that appeals to both me and MWG. MWG is a Disney obsessive, so the latest Disney flick would always be high on her cinema wish list, and we both like superhero stuff, so this one ticked a lot of boxes.
MWG got even more excited as she declared that the character of Baymax was her. This stemmed from his line “I am not fast” but the major similarity was the clip in the trailer of his stroking a cat and calling it “Hairy baby”. MWG is definitely a cat person and will stop to stroke any cat we pass, so she related to Baymax.
Of course, the difficulty of going into a film all excited and expectant is that you can set yourself up for disappointment, thankfully, however, Disney knocked this one out of the park.
The movie is set in a futuristic city called San Fransokyo, which as you can guess feels like a mash up of Tokyo and San Franciscio. Our hero is Hiro Hamada (voiced by Ryan Potter), a 14 year old genius who’s squandering his potential by filling his time with bot fighting, where his homemade robots make short work of his opponents. His brother Tadashi (Daniel Henney), wants more and after they both get in trouble over the bot fights takes Hiro to his university laboratory, which his younger brother dismisses as “the nerd lab”.
However, Hiro is impressed by Professor Callaghan (James Cromwell) and the work of the other students at the lab. He also meets Baymax (Scott Adsit), the care giving robot Tadashi has designed. The robot is deliberately non-threatening and programmed to scan and treat any ailment, and Tadashi hopes it will help a lot of people.
Hiro decides to attend the university and in order to impress Callaghan and win a place he creates micro-bots, which alone can’t do much but can work together to achieve whatever their controller wishes. Hiro wins the fair, and turns down an offer from industrialist Alistair Krei (Alan Tudyk), whom Callaghan accuses of cutting corners.
All seems well, but after the science fair the building catches fire, and Tadashi rushes in to rescue Callaghan, only for the building to explode. Hiro plunges into despair and inadvertently activates Baymax, who asses him and finds signs of emotional distress. A lone micro-bot is also discovered and following it Hiro discovers that someone has mass produced the micro-bots. He and Baymax are attacked and chased by a masked figure who uses an army of micro-bots.
Hiro decides to use Baymax’s strength and durability and designs armour for the robot, setting out to bring down the man in the mask, who he believes is responsible for the death of his brother. Baymax, now programmed to fight, is defeated and Tadashi’s friends from the nerd lab arrive, having been contacted by Baymax to help Hiro’s emotional state.
They flee to the home of slacker Fred (TJ Miller), who’s superhero obsession makes Hiro suggest they become heroes and stop the masked man. Cautious, obsessive Wasabi (Damon Wayans Jr) equips himself with laser claws, while geeky chemist Honey Lemon (Genseis Rodriguez) uses a specially designed purse to create chemical formulas to be used as traps and weapons, while tough adrenaline junkie GoGo (Jamie Chung) becomes a speedster equipped with throwing discs.
Fred, meanwhile achieves his dream of being a fire breathing monster courtesy of his new costume.
Together they unite to take down the masked man. Can they succeed in their mission? Who is the man behind the mask? And is Hiro’s lust for revenge going to go too far?
I freaking loved this movie, which is just the right mix of action and comedy,`and continues the recent run of form at Disney. The storyline is strong, easy to follow and touches on issues like family, loss and doing the right thing, which is standard Disney fare.
It also works remarkably well because of the interaction between the characters, Hiro is wonderfully realized, on the edge of his teens and starting to deal with being somewhere between man and boy. His struggles with this feel realistic, as do his mood swings and the film does a decent job of accurately capturing what loss can do to someone, with Hiro becoming depressed following the death of his brother.
This is where Baymax comes in, serving as both a link to Tadashi for Hiro and also as a surrogate brother/father figure, caring for our young hero. Baymax also gets most of the movies laughs, and the design of the robot should be applauded for being extremely cute, and I imagine will be a big hit with the kids. With very little in the way of expressions, Baymax still manages to convey sensitivity and confusion when needed, and his slow moving interactions with the world are rather sweet and he’s an extremely charming creation (Sweet? Charming? Slow moving? MWG is like him after all!).
The rest of the characters all do rather well, and there’s a nice touch in linking Hiro’s storyline with the villains, which further serves to deliver the message that revenge is not healthy for anyone.
I laughed consistently throughout, especially at the wonderful work that TJ Miller does as the superhero, obsessed slacker Fred, who has a few “for the parents” gags and also sets up a fantastic end credits sequence featuring a wonderful Stan Lee cameo (Big Hero 6 being inspired by a Marvel comic series after all). Fred’s excitement and enthusiasm is extremely entertaining, and he was probably my favourite character.
The plot works, and manages to keep the balance right, never becoming overly sentimental. Towards the end it’s genuinely moving and I can imagine there will be lots of upset children during one scene, heck MWG was crying and I admit I had a little something in my eye.
All in all a marvelous family film adventure, which manages to deliver laughs and thrills, along with some wonderful character work, my only slight reservation is the Japanese inspired world of the film. This isn’t in itself a problem, and the design of San Fransokyo is wonderful, it’s just weird that a character called Hiro Hamada living in this place should appear so western and American. It feels as though the filmmakers wanted to have a kind of manga/anime inflected feel but couldn’t go all out and have a Japanese protagonist, which feels like a cop out.
But this minor concern aside, it’s a belter of a movie.
Verdict: A fantastic family adventure movie with plenty of laughs, strong plot and some stunning visuals this is sure to keep kids entertained but is smart enough for adults too. Disney continue their streak of impressive movies with this. 8/10.
Any thoughts? You know what to do. BETEO.