In the early ’00s there was a horrible affliction that devastated the geek community. Like a vampire, the infected would be unable to stop themselves from passing it on and forcing others to endure their curse. And, to mix my monsters, like zombies it was often the ones you loved that you hurt. You’d resist, but finally the curse would out and you’d pass it on with one simple sentence:
“Have you seen this show, Firefly? It’s amazing!”
And you’d hand over your box set and see them fall as you had. But what’s worse than a fall?
A fall from a great height.
And so the show would raise them up, lifting them with the cool space western vibe. Higher as they embraced the charming, likeable characters and still higher through the witty, exciting writing.
Fourteen episodes and you crash back down. Mid season. Mid story. Plot lines left dangling unfinished, questions unanswered. The most persistent nagging at you: What happens next?
Online complaining, love one and petitions alerted Fox that there was a market. DVD sales climbed.
And so Joss Whedon got a second chance. Serenity would fly again.
But would a standalone movie really satisfy the fans. Would it work? Could it avoid being a disappointment?
You bet your ass it could.
Picking up sometime after the show we find roguish smuggler Mal Reynolds (Nathan Fillion) leading his small crew on the outer reaches of space aboard the eponymous ship.
The young, frazzled genius River (Summer Glau) still struggles with the effects of government experimentation and her brother Simon (Sean Maher) tries to find a way to help her and work out what they did to her.
After a close call with the savage, mindless Reavers, Simon decides it’s time for them to leave. Mal agrees despite the protestations of some of his crew, particularly Kaylee (Jewel Staite), the engineer smitten with Simon. However, their plan to drop her off is abandoned after something triggers River to become a ruthless, skilled fighter. The only clue is that she uttered the word “Miranda” before her rampage.
Meanwhile, a shadowy government Operative (Chiwetel Ejiofor) is hunting for River who carries important secrets in her damaged mind. He seeks out Inara (Morena Baccarin), the “companion” who previously travelled aboard Serenity. He uses her to send a message to Mal and set a trap. Mal, despite knowing it to be a trap goes in anyway and they narrowly escape after a fight with the Operative.
Using the few clues they have the group set off to work out what River knows. On the way they find out more about what was done to her and discover the dark origins of the Reavers.
I remember going into this movie with nervous excitement and being reassured very early on as it nails the tone of the show. As a fan of the show I don’t know how it would play to newcomers to the world, but I think it fills in the gaps quite quickly and deftly. And I think the writing, which is sharp and witty would win people over and engage them with an involving plot.
Of course, some of it works more for fans. When two characters but the farm it’s bound to hit harder to those who’ve known them longer. One in particular, the sudden, shocking demise of slacker pilot Wash (Alan Tudyk) was a gut blow for me and several friends who had loved the show, and the character.
The death comes out of nowhere and leaves you reeling, and the impact it has on the other characters is keenly felt. In a later scene where his devastated widow Zoe (Gina Torres) rushes into battle and is injured left me with a sinking feeling we were headed for Dirty Dozen/Magnificent Seven territory where the bodies would pile up and only a couple would make it.
This last stand against the Reavers is wonderfully tense and well done, with Whedon injecting little character moments into the build up (Zoe’s devastation and loss of hope, Simon and Kaylee expressing their feelings for each other) and there’s a laugh when Zoe talks to the brutish Jayne (Adam Baldwin) about strategy.
Jayne: Can’t be thinking on revenge if we’re gonna get through this.
Zoe: Do you really think any of us are going to get through this?
Jayne: (slightly nervous)…I might.
The returning cast slip into their old roles with ease and for fans it’s a comforting and satisfying end to the story (although if they want to do more I wouldn’t complain).
It’s massively entertaining and I loved it.
And of course it gave Nathan Fillion a chance to pull on his old Browncoat again. No actor seems to have loved a project more than Fillion who complained about the cancellation and still seems sore about it.
It’s easy to see why, Mal is a great role and a perfect fit for Fillion’s easy charisma. He gets to play the big damn hero who has a softer, less confident side underneath the swagger. Mal’s like Han Solo’s geekier little brother, someone who’s not quite as cool as they’d like to be and often caught off balance, but managing to make it through due to luck, skill and determination.
Smarter than he makes out, kinder than he wishes and quietly noble Mal is the heart of the film and a great hero. He can handle himself in a fight, but knows when to run, and keeps going against the odds to do what’s right. Fillion’s charisma, humour and enthusiasm shines through making him a supremely likeable protagonist.
Hands down one of the most entertaining sci-fi movies of the 21st century.
Gorram it, I’m gonna watch the series again.
Any thoughts? You know what to do. BETEO.