The cinematic X-Men universe has been a mixed bag, with some of the movies doing quite well (see Deadpool and Days of Future Past), while others were plain awful (X-Men: Origins: Wolverine and X-Men: The Last Stand). The movies have struggled to get the tone right and have also created a convoluted and contradictory timeline, it’s time for a reboot and where better to end it than with the driving force and most consistent part of the series- Hugh Jackman’s Wolverine.
Since the first X-movie only Jackman has popped the claws as the Canadian mutant and while he’s often been in lacklustre movies he’s managed to do the character justice. Now, he is finally given the kind of swansong the character, and his efforts, deserve.
Set in 2029 we find Logan in dark times, working as a chauffeur and living out in the Mexican desert looking after Charles Xavier (Patrick Stewart), who has destructive seizures and seems to be in the early stages of dementia as he enters his nineties. Logan and Caliban (Stephen Merchant), an albino mutant who burns easily in sunlight, keep Xavier drugged to dampen his powers. Logan’s healing powers have slowed, meaning he limps and carries severals scars. He hopes to save money to buy a boat and sail away with Charles so that his seizures can’t hurt anyone.
The other X-Men are revealed to be dead and mutant kind has died out, with no new mutants having been born in decades. While on a job Logan is approached by a Mexican nurse Gabriella (Elizabeth Rodriguez) who asks for his help as she is being chased by shady figures. Logan refuses to engage with her and leaves. One of these, the cybernetically enhanced bounty hunter Pierce (Boyd Holbrook) who works for the Transigen corporation. Logan denies all knowledge and Pierce tells him to call him if he hears anything.
Logan is called to another job but it turns out to be Gabriella who has arranged it, she offers him $50,000 to take her and her daughter, Laura (Dafne Keen) to North Dakota and a safe place known as Eden. The money will be enough for the boat and Logan reluctantly agrees, however when he returns he finds Gabriella murdered. Returning to Mexico he discovers that Laura has stowed away in the boot of his limo and Pierce arrives shortly after. Xavier claims to communicate with her and says they must keep her safe.
Logan is subdued by Pierce’s men, but Laura then reveals that she too has adamantium claws, similar to him and kills many of the men. Logan, Laura and Charles escape and head for North Dakota with Pierce in pursuit, using Caliban and his mutant tracking powers to continue the hunt.
A message left by Gabriella reveals that Transigen bred new mutants, using DNA they had on file in order to develop super soldiers, of which Laura is one of the X-23 programme. However, upon discovering that Transigen had decided to abandon the project due to the fact the kids were hard to control she and several other nurses helped the kids escape before they were “put down”.
Will the jaded Logan be able to form a bond with Laura? Can they make it to North Dakota, and if they do will the promised safety exist or merely be revealed as a dream? And what have Transigen created to replace Laura and her peers, and will Logan be able to defeat this new threat in his weakened state?
I have to say I really enjoyed this movie, which felt like a solid conclusion to the series and a good place to leave this version of Logan. However, I appreciate that it won’t be for everyone and the downbeat, bleak future wasn’t appreciated by MWF and the friend we saw it with. For me, it worked and I liked the way it slowly revealed the fate of the other mutants and the reasons for their extinction.
Rated 15 here in the UK this is by far the darkest and most brutal film in the series, and the first time that Wolverine’s berserker side has really been shown. Previous fights have always been rather bloodless and tame, but this kicks off with a brawl where Logan takes on a gang of criminals in a fast, vicious encounter. It’s good that after suggestions of his dark side we finally get to see it on show here. Otherwise it’s all just a lot of sound and fury signifying nothing, as is the case in Doctor Who where they repeatedly tease that he was a badass during the Time War only to never deliver on this.
It is hard work in places and Logan is a lot more bitter and jaded than his last outing which makes sense, we left him during the cheerful altered present of Days of Future Past, surrounded by friends at the Xavier School, so it stands to reason that years down the line, with his friends gone he would have reverted to his angry, cynical ways. There’s a suggestion that the X-Men didn’t go out in glory and there’s definite tension between Logan and Xavier, and when it’s finally revealed what happened it’s a gut punch of a twist.
The whole road trip is a tough journey, with tragedy and violence dogging the trio across the US, and the stakes feel higher than in any previous movie.
It’s here I have to give a lot of praise to Patrick Stewart, who does a sensational job as the ageing, shattered Xavier. His performance is genuinely moving, almost heart breaking as he captures the sense of a man long dependent on his mind who is now losing it slowly. His crankiness and vitriol is a world away from the dignified, compassionate leader of the past, but there are glimpses of this throughout, especially when Laura arrives and he sees the opportunity to aid her and do the right thing. It’s quite nice to see that the relationship between the two has changed and shifted, and that there’s some closure between then.
But this is Jackman’s movie and he excels again as Logan, capturing all the different aspects of the character- the brooding loner, the reluctant hero, the savage and even the man trying to do better. Coughing, limping and stiff it’s a shock to see the most robust of the X-Men in such a state, and yet it works.
The rest of the cast do their jobs extremely well, with props going to newcomer Keen who captures the almost feral detachment of Laura and who slowly gets the audience to feel for her while avoiding any child actor cliches or excesses. Her relationship with Logan develops slowly and at times unsentimentally, and it’s interesting to watch as she slowly tries to form a bond with someone for the first time while he tries to pull away due to the fact that he’s lost so many people.
The villains are well done, especially Richard E. Grant as a slimy, manipulative scientist behind the experiments.
The bleak future world is wonderfully executed, with machines replacing human workers, a gigantic wall at the Mexican-US border and a sense that corporations are running the show now. The reason for the absence of mutants is revealed in quite a clever way, and the quest to safety is tense as throughout it’s never certain what awaits the group when I get there.
The final sequence, a mad dash for safety and Logan unleashing his berserker side against Pierce’s men and the latest Transigen experiment X-24 is bruising, vicious and intense. The ending is emotionally raw and well played, and a fitting finale for the series.
As a series the X-movies have often stumbled, but it’s good to see that they stride out on a high, a well executed and solid movie. It’s the most grown up of the series, and not just because of the blood and swearing, it feels like the story of a grown man still struggling with who he is and what his purpose in the world is. Jackman shows again why he was brilliantly cast as Wolverine and leaves big shoes to fill in the inevitable reboot.
Although it is a shame we won’t get to see Jackman’s Wolverine team up/fight Ryan Reynolds’ Deadpool.
Verdict: Dark, brooding and bleak this is the most grown up and emotional of the franchise. Jackman and Stewart excel playing aging, failing versions of their characters dealing with loss and change. The plot is solid and moves along well with a few nice twists along the way. Finally a film that delivers after a series which often botched its potential. 9/10.
Any thoughts? You know what to do. BETEO.
Marvel continue to expand their cinematic universe here, taking a second tier character and moving into the more mystical aspects of the universe. I’ve always kinda dug the Doctor Strange character and the way the comics mixed magic into the superhero world and the movie works in much the same way.
Dr Stephen Strange (Benedict Cumberbatch) is a brilliant but arrogant neurosurgeon who lives a life of luxury. His over confidence rubs colleagues up the wrong way but he is respected for his skills, especially by his ex, ER doctor Christine Palmer (Rachel McAdams), who he continues to have a flirtatious relationship.
While driving to a speaking engagement and distracted by his phone Strange crashes, severely damaging his hands. Unable to continue his career he burns through his savings in a futile search for a way to fix his hands and sinks into bitterness, pushing Christine away after he becomes angry at her perceived pity. Meeting a man who recovered from irreversible paralysis, Strange learns he was healed after visiting a place called Kamar-Taj, in Katmandu. Using the last of his money Strange travels in search of answers.
There he finds a mysterious group headed by the Ancient One (Tilda Swinton), who speaks of spirit and magic. Strange dismisses this as nonsense until the Ancient One shows him his astral form and the different dimensions. She is reluctant to teach the arrogant Strange but her student Mordo (Chiwetel Ejiofor) urges her to take him on and finally she agrees.
Strange is introduced to a secret world, discovering the forces and powers at work I’m the universe and becoming adept at the mystic arts. Kamar-Taj is linked to three sanctums which exert a sort of force field that protects Earth from interdimensional attack.
His photographic memory allows him to learn spells quickly, and he frequents the library run by taciturn sorcerer Wong (Benedict Wong). He reads a book which has been damaged, learning that pages were stolen by Kaecilius (Mads Mikkelsen), a former student of the Ancient One who has gone rogue, aligning himself with a Dormammu a powerful being from the Dark Dimension who seeks to absorb more dimensions into his power. Kaecilius believes that this will save mankind from the ravages of time and death. He is disillusioned with the Ancient One and believes she has lied to her followers.
After they attack the London sanctum Strange escapes to New York where he attempts to stop Kaecilius and his followers. Despite his inexperience he manages to hold them off until Mordo and the Ancient One arrive to help, but New York falls. Strange and his allies realise that the final sanctum in Hong Kong must be protected and rush there to make a final stand against Kaecilius.
Can they stop the Dark Dimension from engulfing the Earth? Has the Ancient One been hiding things from her followers? And will Strange heal his hands, or does he now have a greater goal to pursue?
I really enjoyed this film which went in a slightly new direction for Marvel and was extremely good fun. The visuals, especially during a trippy sequence where Strange is sent flying through alternate dimensions are glorious and the psychedelic feel works. Plot wise it’s formulaic in places- arrogant self absorbed hero has to realise there is a bigger game at work, adjust his priorities and triumph.
But the formula is carried off well, in large part thanks to Cumberbatch, who can do arrogant genius in his sleep (Sherlock, The Imitation Game, Star Trek Into Darkness) and here he is entertaining as the strutting Strange. He also does a good job keeping the character’s glib nature even when he finds himself out of his depth.
It also works because he gives brief glimpses of vulnerability cracking through the bravado but like Marvel’s other bearded hero Tony Stark, he has the quick wits to get out of most situations.
The rest of the cast is a little less impressive, with Mikkelsen being a rather dull villain and the Ancient One not getting much depth. Worst of all is how criminally underused the always charming Rachel McAdams is. She has very little to do and it’s a shame that a good actress doesn’t get anything to sink her teeth into.
However Ejifor carries himself with class as Mordo and his rigid world view sets him up to clash with Strange’s reckless use of magic and should develop nicely in further instalments.
The final face off is rather smartly done, and the effects are glorious. The fight scenes are well done, particularly a sequence where Strange and a foe battle in the astral plane and their actions cross over into the real world. Another nice touch is that Strange’s Cloak of Levitation is given a personality of itself, kind of like the magic carpet in Aladdin.
It’s not the strongest Marvel movie but it’s incredibly good fun and takes the MCU in new directions while still feeling part of it in terms of tone and characters. Definitely left me wanting to see more of the good Doctor.
Verdict: Lots of fun and with great visuals, the film is carried by a charismatic performance from Cumberbatch. The action sequences are handled well and it’s an interesting and entertaining addition to the Marvel Universe. 8/10.
Any thoughts? You know what to do. BETEO.
Arriving on a wave of hyperactive marketing and talk of reshoots and extensive cuts comes the third film in DC’s Expanded Universe (DCEU) after Man of Steel and Batman vs Superman: Dawn of Justice, but this time the focus is on the villains. It’s basically a Dirty Dozen for the world of DC with a disparate group of criminals brought together by Viola Davis’ shady government agent Amanda Waller.
Many are inmates of a black site prison in Louisiana including the incredibly accurate hit man Deadshot aka Floyd Lawton (Will Smith) and Harley Quinn (Margot Robbie) a psychiatrist turned psycho, lover and associate of the Joker (Jared Leto), both having been brought down by Batman (Ben Affleck).
Joining them is the beast like Killer Croc (Adewale Akinnuoye-Agbaje), pyrokinetic gang member El Diablo (Jay Hernandez) and Slipknot (Adam Beach) known unimpressively as “the man who can climb anything”. Rounding off the team are Aussie thief Captain Boomerang (Jai Courtney) who is seen being apprehended by the Flash (Ezra Miller).
The team is under the command of Rick Flag (Joel Kinnaman) a decorated soldier who has fallen for June Moone (Cara Delevigne) an archaeologist who has been possessed by the malevolent Enchantress, who is kept in line as Waller owns her heart, her only vulnerability. To keep them every member has an explosive chip in their neck and Flag is backed up by samurai sword wielding vigilante Katana (Karen Fukuhara) and some anonymous Navy SEALs.
The Enchantress betrays Waller and unleashes her brother, a towering powerhouse with whom she lays waste to Midway City. The Squad are airlifted into the city in order to retrieve a VIP, but their individual weaknesses and inability to function threaten their effectiveness. Can Flag get the job done with his ragtag team? Can he trust them? Can they trust him and Waller?
I enjoyed this movie but it has plenty of flaws and is definitely a case of style over substance. The major weakness that having a team thrown together so quickly many are underdeveloped and here Katana, Killer Croc, Slipknot and Captain Boomerang are all slightly underwritten. My feeling was that several scenes must have hit the cutting room floor as the team go from disparate strangers to what El Diablo calls “a family” rather too quickly.
But there are moments that work. Kinnaman and Smith do a good job of capturing their characters differing views and distrust, with a slowly developing respect as the film progresses. They are both good actors and Kinnaman does enough to suggest that Flag isn’t the clean cut All-American hero he’d introduced as. He nails the character’s toughness while letting the cracks of vulnerability show.
Will Smith is always reliable and likeable but his Deadshot feels like a missed opportunity, with too much heroism thrown in the mix which throws off his anti-hero status. As the biggest star Smith is the centre for the team in many ways and while he is a good anchor it unsettles the balance and he never fully convinces as the cold killer he thinks he is. There are a couple of moments where he is quite badass but it doesn’t quite come off for me. Also he takes the mask off far too early and far too long.
The only character who gets the same kind of background and focus is Margot Robbie’s Harley Quinn. The manic energy is oddly charming and quite fun, but the character is emblematic of the film’s inconsistent tone. There is a brief glimmer of vulnerability and moments where the cheery mask drops, but then the film reverts back to having her quipping and messing about. I have to admit my view was harder than MWF’s who found Robbie’s performance the major strength of the film and the best member of the team.
The worst part of the treatment of Harley is that the film botches the relationship between her and the Joker. In the cartoon and comics the Joker is extremely manipulative and cruel to Harley, the emotional clearly abusive and sadistic but the film bottles it softening these aspects and making the Joker seem to care for her in a way that undermines his psychopathic nature.
Leto’s Joker has limited screentime and it may be too early to judge but for me it doesn’t quite work, it feels like it’s trying too hard to be edgy and the actual jokes are thin on the ground. He might impress more in later Batman movies but here he disappointed me.
Of the rest of the Squad the only one with any development is El Diablo, who is introduced as a seemingly reformed character who no longer uses his powers. His tragic back story is a bit obvious, but Hernandez does a good job in making him human and at least he gets some kind of storyline, which is more than many of his teammates.
On the whole the movie has more misses than hits, with inconsistencies in tone, underwritten characters and an annoying habit of quick pop music blasts over scenes. But the action sequences are fast and furious and the script delivers a few laughs along the way.
The plot is predictable in places, and as with BvS I got the feeling that DC are rushing the DCEU and a few of these characters could have done with being introduced elsewhere first before being thrown into the mix here.
One of the aspects I liked most was Viola Davis as Waller. She gives a commanding performance as the hardened, calculating character with whom you don’t want to mess with and her moral ambiguity means her motives are never fully clear and it will be interesting how she works with the forthcoming Justice League, teased in a solid credits sting where she sits down with Affleck’s Bruce Wayne.
She makes a ruthless and cold antagonist for the anti-heroes, and Davis carries it off with a ruthless badassness which makes her utterly convincing as a no-nonsense woman used to getting her way no matter who opposes her.
On the whole it’s a fun enough action movie, but there’s very little beneath the surface and it struggles from having to introduce so many characters so quickly but if there’s a Suicide Squad 2 I’ll probably go see it as there they can just get right to the action. And I so look forward to seeing more about the Joker’s history with Batman, even if Leto’s clown prince of crime is my least favourite incarnation of the character.
Verdict: Riddled with flaws and underwritten in places the film looks good but lacks depth. Davis, Smith, Robbie, Hernandez and Kinnaman do their best but many if the actors have little to sink their teeth into. A decent introduction but you hope further adventures are stronger. The DCEU seems to lack the patience of Marvel’s universe building process. 6/10.
Any thoughts? You know what to do. BETEO.
The marketing for this movie has been so good that I feared that when I finally settled in to watch it yesterday witg MWF and my youngest sister we’d all be in for a disappointment. Thankfully however it delivers.
The movie whips along at a great pace and both the humour and action deliver throughout. The title sequence alone is hilarious and sets the tone for the irreverent and violent movie to follow. The laughs come thick and fast and Ryan Reynolds is in his element as the wise cracking title character. This is great for the audience as Reynolds has made no secret of how much the failure to use the character in X-Men: Origins: Wolverine hurt him, it irked a lot of nerds and I’ve written about it once or twice.
Reynolds owns the movie, narrating the tale with knowing gags and allusions. The breaking of the fourth role is something the character does in the books and it works here, making it a little different to your average Marvel hero movie.
It’s not a massive breakaway though as the origin story and revenge aspect is familiar turf, but it’s still a raucous and funny flick. The plot concerns mercenary Wade Wilson (Reynolds), who meets and falls for Vanessa (Morena Baccarin) who can match him sarky comment for sarky comment. All is good until Wade is diagnosed with inoperable cancer. Clutching at straws he joins a shady program that will make him a superhero.
It turns out this is a lie and the leader is Ajax (Ed Skrein) a mutant who can feel no pain and is bringing dormant mutations to the surface to create super slaves. Wade’s mutation kicks in and he develops enhanced healing abilities but is left scarred and disfigured, fearing that he can’t return to Vanessa he dons a mask and heads after Ajax to get his face fixed and some payback.
Along the way he is assisted by X-Men Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand). Colossus feels that Deadpool is wasting his powers and should join the team to help the world.
This led to one of my favourite fourth wall breaks as Wade points out that he visits the X-mansion but only sees two “as though the studio couldn’t afford a third X-Man”. Colossus is different from his previous on screen portrayals, here a cheesy goody-two-shoes and Russian as he is in the comics, NTW is a traditional moody teen.
What follows are some wonderful OTT fight scenes that vary from cartoony to bone crunchingly vicious and there are some ace sight gags, including a gross bit mid healing. The jokes never let up and there was consistent and loud laughter from the audience I was with yesterday.
I loved it and the cast are great, even if Reynolds owns the movie. The standouts for me are TJ Miller as Wade’s mate who gets some fantastic jokes and with whom Reynolds bounces off brilliantly. The scene where he reacts to his friend’s scarred face is a bad taste masterpiece.
Skrein is decent enough as the villain, aided by Gina Carano’s Angel who is a bruising, tough henchwoman who has an entertaining smackdown with Colossus.
It’s gleefully stupid and crude in places, but that works for me and I thoroughly enjoyed. It probably won’t stand up to many repeat viewings but it’s a whole lotta fun and Reynolds is such a good fit as Deadpool it’s up there with Reeve as Superman and Ledger as Joker for excellent comic book casting.
I eagerly await the sequel and wholeheartedly recommend this to all Marvel fans and anyone who likes violent, cheeky comedy.
Verdict: Not as revolutionary as it might lead you to believe but still a fresh approach to superhero movies. The laughs and fights flow freely and Reynolds is sensational. For some it might be too crude and bloody, but it works for me. 8/10.
Any thoughts? You know what to do. BETEO.