Years ago a friend of mine recommended I check out Brian Lee O’Malley’s Scott Pilgrim comics. I was told they were fun and essentially about a Canadian version of me. I read the series and loved it, although I realised that being compared to Scott wasn’t a compliment. When Edgar Wright (Spaced, Shaun of the Dead, Hot Fuzz) was announced to direct a big screen version I was pretty stoked.
Luckily the movie turned out to be a belter, not least because it bravely decided to keep the title character, played by Michael Cera, a bit of a douchebag. He’s dim, self absorbed and sort of obnoxious. It’s a nice change for Cera who while still in his geeky comfort zone at least branches out from the essentially nice guys he normally plays.
The plot sees Scott fall for mysterious new girl in town Ramona Flowers (Mary Elizabeth Winstead) despite already dating Knives Chau (Ellen Wong). Ramona turns out to have seven evil exes, and in order to claim her hand he must defeat them. This is because despite being a geeky bass player, Scott has some mad fighting skills which helps him in the OTT, video game inspired fight sequences.
Wright shoots it brilliantly with a fast, fun pacing and visual flair, there are nods to computer games, on screen sound effects in the style of the ’66 Batman series (RIP Adam West) and a plethora of sight gags and quality one liners.
The supporting cast is brilliant across the board, particularly Chris Evans and Brandon Routh who play two of the exes. Routh plays the douchey guy who stole Scott’s ex and boasts psychic powers due to his veganism, one of many delightfully daft touches in a movie which is seriously fun.
There are also minor roles for Audrey Plaza, Anna Kendrick and Kieran Culkin.
Cera is fantastic, with the self absorbed Scott slowly realising where he’s gone wrong and finally standing up to the final ex, Gideon (Jason Schwartzman). The fight scene sees him lose, but in a nice touch he can cash in the “extra life” he picked up earlier in the movie, and allows him another attempt, where he realises he isn’t fighting for love but his own self respect.
And in the end he realises that he has to make amends for all the stupid, selfish things he did and become a better person.
The movie is a geeky delight, and full of charm. It also cements Wright as a seriously talented director making me regret that we never got his version of Ant Man, and looking forward to Baby Driver.
A fun filled, fast flowing film which captivates me on every rewatch.
Any thoughts? You know what to do. BETEO.
I was a massive fan of The Lego Movie and one of the many good things about it was the treatment of Batman (Will Arnett), who they transformed into a cocky, self absorbed show off. When it was announced that he’d be getting a solo run out, it instantly joined the list of movies I was looking forward to and yesterday MWF and I went along with a friend to check it out.
The film kicks off with the Joker (Zach Galifianakis) leading a team of Gotham’s villains in a daring attempt to seize control of the city by threatening with a gigantic bomb. Unfortunately for the Clown Prince of Crime, Batman arrives just in time and makes short work of his associates. As the duo face off the Joker is hurt to discover that Batman doesn’t regard him as special or his archenemy, announcing he doesn’t care.
Batman saves the day and all is good, however, it is revealed that when he returns to Wayne Manor he is lonely and bored. His trusty butler Alfred (Ralph Fiennes) is concerned that he has no life beyond Batman, but he refuses to acknowledge this. Bruce—0s0A\\\ attends the retirement party of Jim Gordon, where his replacement is to be announced. The replacement is Jim’s daughter, Barbara (Rosario Dawson), who Bruce is attracted to. Distracted by Barbara’s beauty Bruce agrees to adopt nerdy orphan Dick Grayson (Michael Cera).
Barbara announces a bold new plan for Gotham and her desire for Batman to work with the police, and highlighting that despite his efforts Gotham is still the worst city for crime. Joker and Co. attack but Joker then surrenders, much to the suspicion of Batman and Barbara. Joker and the other villains are imprisoned, and the city celebrates.
With nothing to do Batman is bored and sad, resisting Alfred’s urging to spend time with Dick and act as his father figure. Batman continues to spy on Joker and decides that the only way to be safe is to send Joker to the Phantom Zone, where the universe’s worst villains are imprisoned. Recruiting Dick as his sidekick, and giving him an old colourful costume the duo steal a device to send people to the Phantom Zone from Superman (Channing Tatum), who Batman discovers is throwing a party for all the superheroes that he was not invited to.
They send Joker to the Phantom Zone, but Barbara imprisons them. Unfortunately, this has played into the Joker’s plans and he breaks out with several other villains to get revenge on Batman and Gotham.
Batman reluctantly agrees to allow Barbara, Dick and Alfred to help him, but can they triumph and can he resist his urge to go it alone? And will he be able to admit to himself that his insistence on working alone comes from his fear of losing people again?
This is an incredibly daft and fun movie which works because of the central character, with Batman continuing to be a swaggering, boastful jerk who has to face up to his failings and feelings. It’s a big twist on the traditional way the Dark Knight is portrayed and the egomaniac is hugely entertaining, especially when he is repeatedly outwitted or out of his depth.
This happens often with Barbara who is a clever, confident woman who has his number from the jump and provides sensible advice he routinely ignores. As the movie unfolds he is forced to accept that teamwork is key and slowly acknowledges the help the others provide him with.
The other supporting players work well, especially the irritatingly cheery Dick Grayson who slowly breaks down Batman’s stern exterior.
The storyline of the Joker’s rejection and his relationship with Batman is quite well done, playing it as almost a warped romance, with Joker believing it was a deeper connection and Batman brushing it off saying that he “likes to fight around”. The Joker’s plan is pretty clever and allows a whole host of cameos from different villains in the final act, with King Kong, Voldemort, Daleks, Gremlins and the Wicked Witch of the West among others.
The action is fact paced and largely comical, with characters making the sounds of the guns they use and the Lego world allowing for inventive chaos. Batman, as a master builder, continues to build massive, crazy contraptions and visually it is stunning.
It’s also a delight for geeks as it’s rammed with little gags and references. The beginning and end poke fun at the seriousness of some superhero movies, and there are nods to the many different incarnations of the characters (including a brief clip of Adam West in action). The Joker’s posse includes a host of Gotham’s villains including lesser, dafter enemies and there are nods to the comic book conventions, especially how inept the Gotham police are and one hostage’s relaxed response to being confronted by the Joker. It’s quite clever and funny, but I did wonder how well it would play for kids as a lot of it is very ironic and pokes fun at the character and the world.
Plot wise it’s quite straight forward, and the issues of teamwork, family and Batman accepting help from others and letting people in hardly groundbreaking. It’s not quite as good as The Lego Movie in terms of sheer manic energy, but it’s still a very solid comedy adventure and keeps moving at a decent pace. But it feels like this is a good place to leave the block Batman, as any more would overplay the joke.
Verdict: Consistently funny and loaded with injokes, this is an extremely entertaining movie. Daft in places it, it works well as a fast paced romp. 8/10.
Any thoughts? You know what to do. BETEO.