Okay, right off the bat I need to be clear; I know this is a highly fictionalized version of PT Barnum’s life and that it whitewashes more controversial and problematic parts of the tale. However, this is a review of the film, not a comparison with facts. Therefore I stress my enjoyment of the movie is not an endorsment of the real life Barnum.
So, yeah, I enjoyed this film. I went in slightly apprehensive as for some reason I thought it was a Baz Luhrman movie, but it’s actually directed by Michael Gracey who has Luhrman’s abilities with choreography and big sequences, without his more overblown excesses.
Hugh Jackman excels as Barnum, a poor boy desperate to succeed and win the posh girl he loves. He makes Barnum a likeable character, a showy individual who blags his way through life.
He sets up a museum of curiosities in New York and quickly assembles a cast of unique individuals.
The film paints the freak show in an empowering light, with Barnum giving the performers a family and a home and treating them fairly. It’s a leap from the real story and it feels a little bit of a cop out, but the performers do well. Keala Settle playing the Bearded Lady is the focal point for this, a woman blessed with a great singing voice who gains confidence through her role in Barnum’s show.
The problems arise when Barnum becomes obsessed with respectability and showing up his dismissive inlaws. The chip on his shoulder is understandable, and it adds conflict. Caught up in his first highbrow success, the singer Jenny Lind (Rebecca Ferguson) he places himself in a financial danger and drives a wedge between himself and those close to him.
He ignores the show, treats the performers as though he is ashamed of them and his marriage to Charity, fantastically played by Michelle Williams, is shaken.
Williams is solid throughout, in a quieter, more fragile role who attempts to curb Barnum’s excesses and get him to appreciate his life, to let go of his deep rooted grievances and merely enjoy the happy life he has built. She serves as the balance to him and her singing is on point, it’s not a showy role compared to others but it is a solid performance.
Jackman carries the weight brilliantly, his Barnum a charming individual with relatable, understandable flaws. Even as he becomes selfish and foolish he keeps audiences onside and pulls back from utter scoundrel territory.
It helps that Jackman is phenomenal in the song and dance numbers, especially a strong opening number and several big duets with Williams.
The songs are fantastic throughout and the direction creates many outstanding set pieces. The strongest are Settle’s defiant “This Is Me” and a heartfelt duet between Zac Efron and Zendaya, “Rewrite the Stars” is lush, romantic and beautiful filmmaking.
The Efron and Zendaya subplot which sees his upper class man join as Barnum’s apprentice and fall for the trapeze artist is well played, if slightly rushed. It feels as though one or two scenes more might have fleshed out the romance more, but both performers do their jobs well.
It’s especially good to see Efron back to exuding his early charm and talents, having been in a few dumb comedies. He may be second fiddle to Jackman, but he showcases charisma which proves he could and should be one of the leading men of his generation.
In fact, the cast is universally good and the effect is a fantastic musical which charmed me. Big, daring and striking this mixes old school musicals with modern tech and effects.
The subject matter, despite the efforts to clean it up and give it an empowering spin, can’t eliminate the exploitation entirely and the appearance of circus animals was for me a jolt out of my disbelief. But taken as a musical and a work of fiction it succeeded in impressing and entertaining me.
Fun and well made, but probably won’t bear up to much scrutiny or factual analysis.
Verdict: An enjoyable and beautifully crafted musical, if one checks reality at the door and just goes with it. Jackman and Efron are standouts in a cast who are all on form. 8/10.
Any thoughts? You know what to do. BETEO.
The cinematic X-Men universe has been a mixed bag, with some of the movies doing quite well (see Deadpool and Days of Future Past), while others were plain awful (X-Men: Origins: Wolverine and X-Men: The Last Stand). The movies have struggled to get the tone right and have also created a convoluted and contradictory timeline, it’s time for a reboot and where better to end it than with the driving force and most consistent part of the series- Hugh Jackman’s Wolverine.
Since the first X-movie only Jackman has popped the claws as the Canadian mutant and while he’s often been in lacklustre movies he’s managed to do the character justice. Now, he is finally given the kind of swansong the character, and his efforts, deserve.
Set in 2029 we find Logan in dark times, working as a chauffeur and living out in the Mexican desert looking after Charles Xavier (Patrick Stewart), who has destructive seizures and seems to be in the early stages of dementia as he enters his nineties. Logan and Caliban (Stephen Merchant), an albino mutant who burns easily in sunlight, keep Xavier drugged to dampen his powers. Logan’s healing powers have slowed, meaning he limps and carries severals scars. He hopes to save money to buy a boat and sail away with Charles so that his seizures can’t hurt anyone.
The other X-Men are revealed to be dead and mutant kind has died out, with no new mutants having been born in decades. While on a job Logan is approached by a Mexican nurse Gabriella (Elizabeth Rodriguez) who asks for his help as she is being chased by shady figures. Logan refuses to engage with her and leaves. One of these, the cybernetically enhanced bounty hunter Pierce (Boyd Holbrook) who works for the Transigen corporation. Logan denies all knowledge and Pierce tells him to call him if he hears anything.
Logan is called to another job but it turns out to be Gabriella who has arranged it, she offers him $50,000 to take her and her daughter, Laura (Dafne Keen) to North Dakota and a safe place known as Eden. The money will be enough for the boat and Logan reluctantly agrees, however when he returns he finds Gabriella murdered. Returning to Mexico he discovers that Laura has stowed away in the boot of his limo and Pierce arrives shortly after. Xavier claims to communicate with her and says they must keep her safe.
Logan is subdued by Pierce’s men, but Laura then reveals that she too has adamantium claws, similar to him and kills many of the men. Logan, Laura and Charles escape and head for North Dakota with Pierce in pursuit, using Caliban and his mutant tracking powers to continue the hunt.
A message left by Gabriella reveals that Transigen bred new mutants, using DNA they had on file in order to develop super soldiers, of which Laura is one of the X-23 programme. However, upon discovering that Transigen had decided to abandon the project due to the fact the kids were hard to control she and several other nurses helped the kids escape before they were “put down”.
Will the jaded Logan be able to form a bond with Laura? Can they make it to North Dakota, and if they do will the promised safety exist or merely be revealed as a dream? And what have Transigen created to replace Laura and her peers, and will Logan be able to defeat this new threat in his weakened state?
I have to say I really enjoyed this movie, which felt like a solid conclusion to the series and a good place to leave this version of Logan. However, I appreciate that it won’t be for everyone and the downbeat, bleak future wasn’t appreciated by MWF and the friend we saw it with. For me, it worked and I liked the way it slowly revealed the fate of the other mutants and the reasons for their extinction.
Rated 15 here in the UK this is by far the darkest and most brutal film in the series, and the first time that Wolverine’s berserker side has really been shown. Previous fights have always been rather bloodless and tame, but this kicks off with a brawl where Logan takes on a gang of criminals in a fast, vicious encounter. It’s good that after suggestions of his dark side we finally get to see it on show here. Otherwise it’s all just a lot of sound and fury signifying nothing, as is the case in Doctor Who where they repeatedly tease that he was a badass during the Time War only to never deliver on this.
It is hard work in places and Logan is a lot more bitter and jaded than his last outing which makes sense, we left him during the cheerful altered present of Days of Future Past, surrounded by friends at the Xavier School, so it stands to reason that years down the line, with his friends gone he would have reverted to his angry, cynical ways. There’s a suggestion that the X-Men didn’t go out in glory and there’s definite tension between Logan and Xavier, and when it’s finally revealed what happened it’s a gut punch of a twist.
The whole road trip is a tough journey, with tragedy and violence dogging the trio across the US, and the stakes feel higher than in any previous movie.
It’s here I have to give a lot of praise to Patrick Stewart, who does a sensational job as the ageing, shattered Xavier. His performance is genuinely moving, almost heart breaking as he captures the sense of a man long dependent on his mind who is now losing it slowly. His crankiness and vitriol is a world away from the dignified, compassionate leader of the past, but there are glimpses of this throughout, especially when Laura arrives and he sees the opportunity to aid her and do the right thing. It’s quite nice to see that the relationship between the two has changed and shifted, and that there’s some closure between then.
But this is Jackman’s movie and he excels again as Logan, capturing all the different aspects of the character- the brooding loner, the reluctant hero, the savage and even the man trying to do better. Coughing, limping and stiff it’s a shock to see the most robust of the X-Men in such a state, and yet it works.
The rest of the cast do their jobs extremely well, with props going to newcomer Keen who captures the almost feral detachment of Laura and who slowly gets the audience to feel for her while avoiding any child actor cliches or excesses. Her relationship with Logan develops slowly and at times unsentimentally, and it’s interesting to watch as she slowly tries to form a bond with someone for the first time while he tries to pull away due to the fact that he’s lost so many people.
The villains are well done, especially Richard E. Grant as a slimy, manipulative scientist behind the experiments.
The bleak future world is wonderfully executed, with machines replacing human workers, a gigantic wall at the Mexican-US border and a sense that corporations are running the show now. The reason for the absence of mutants is revealed in quite a clever way, and the quest to safety is tense as throughout it’s never certain what awaits the group when I get there.
The final sequence, a mad dash for safety and Logan unleashing his berserker side against Pierce’s men and the latest Transigen experiment X-24 is bruising, vicious and intense. The ending is emotionally raw and well played, and a fitting finale for the series.
As a series the X-movies have often stumbled, but it’s good to see that they stride out on a high, a well executed and solid movie. It’s the most grown up of the series, and not just because of the blood and swearing, it feels like the story of a grown man still struggling with who he is and what his purpose in the world is. Jackman shows again why he was brilliantly cast as Wolverine and leaves big shoes to fill in the inevitable reboot.
Although it is a shame we won’t get to see Jackman’s Wolverine team up/fight Ryan Reynolds’ Deadpool.
Verdict: Dark, brooding and bleak this is the most grown up and emotional of the franchise. Jackman and Stewart excel playing aging, failing versions of their characters dealing with loss and change. The plot is solid and moves along well with a few nice twists along the way. Finally a film that delivers after a series which often botched its potential. 9/10.
Any thoughts? You know what to do. BETEO.
When it was announced that the X-Men’s next onscreen adventure was to be based on the Days of Future Past storyline from the comics there was a bit of a geek meltdown. DoFP is one of the most famous X-stories out there, and featured a dystopian future where many of the Marvel heroes had been killed by mutant-hunting robots called Sentinels. Startling bleak in it’s depiction of the nightmarish future the plot hinged on Kitty Pryde (aka Shadowcat) having her mind sent back in time to her younger body, where she had to stop events which would lead to her hellish future.
It was a great storyline and worked because of the dark tone, and the fact that Kitty Pryde was the group’s sweet, innocent youngster but could/would become this battle hardened woman who would witness most of her friends die. It was a great idea for a movie and would also feature a crossover between the casts of the original X-trilogy and the prequel X-Men: First Class.
Changes would have to be made, in the movies Kitty Pryde, played by Ellen Page was only a minor character, could she carry a movie for the fans? And also, to reach the First Class cast was tricky as Kitty wouldn’t have been around. And so, the decision was made to make the focus of the movie be Hugh Jackman’s Logan aka Wolverine.
I’ve seen a lot of criticism for this online, with many people complaining that Wolverine has been the main focus for all the movies (First Class aside), it’s not exactly untrue but it misses the point- Wolverine is a big fan-favourite, probably the most popular X-Man and Hugh Jackman’s work in the role has been superb, with him putting in charismatic performances even when the movies have been lacking (see X-Men: Origins: Wolverine).
Also, it makes sense to have Wolverine go back in time to his younger self, as he is one of only a few characters to legitimately cover both time periods. The movie also plays a trump card in suggesting that Wolverine is the ideal candidate as his healing factor means he will survive the trip better.
The movie starts in the future where the Sentinels have hunted and killed many mutants, and a small band survive underground. Kitty and a group of Professor Xavier’s former students survive by staying one step ahead, when the Sentinels attack Kitty transports Bishop’s (Omar Sy) mind back a few days so they can get out in time.
Professor Xavier (Patrick Stewart) meets them accompanied by Wolverine, Storm (Halle Berry) and former advesary Magneto (Ian McKellen). They plan to send someone back to 1973 where they hope to stop shape-shifting Mystique (Jennifer Lawrence), a former ally of both Xavier and Magneto, from killing Bolivar Trask (Peter Dinklage), the man who invented the Sentinels.
Trask’s death fuels anti-mutant feeling and the captured Mystique’s DNA is what enables the Sentinels to adapt, making them able to counteract mutant powers and be even more effective killing machines.
The problem is that to convince Mystique to stop in her assassination will prove difficult as she had become increasingly militant and embittered, and Xavier alone would not be able to convince her, they need Magneto’s help too. However, in ’73, Magneto and Xavier are enemies and convincing them to work together will prove challenging.
Wolverine goes back and finds the young Xavier (James McAvoy) a very different man, stripped of his powers, afraid and self-hating. Convincing him proves a challenge, and he is less help than anticipated, but Magneto (Michael Fassbender) represents a greater challenge, being locked up in a high-security prison.
Meanwhile, in the future the Sentinels plan to launch a massive attack on the remaining X-Men, who can’t flee while Kitty is holding Wolverine’s mind in the past.
Can they hold the line in the future long enough for Wolverine to succeed in the past? And if Wolverine, Xavier and Beast (Nicholas Hoult) do break Magneto out will they be able to get him onside? Will that be enough to stop Mystique in her quest for revenge?
I really dug this movie, and thought that it worked. The X-Men movies have never fully succeeded in my book, being rather fun and well done, but often flawed thanks to changes to the characters and casting (Halle Berry continues to disappoint and lack the gravitas and power to be a good Storm, and Hoult’s Beast is nowhere near as funny or lovable as the comic book version)
However here the cast are one of the greatest strengths, with Jackman still proving charismatic as the clawed Canadian, and playing it just right. The tone of the movie is such that there are some nice character moments and plenty of humour amidst the superheroics. Jackman’s Wolverine differs from his comic counterpart, and has always lacked the underlying edge that made the character so popular, but he’s managed to create a compelling onscreen character and has great presence.
Also impressive are McAvoy and Fassbender as the younger Xavier and Magneto. McAvoy has the harder job as the whining, self-loathing Charles is less than sympathetic, but he does a good job in showing us the reasons why and a glimmer of the decency which will help him become the Xavier of the future, and he also displays fantastic comic timing, getting several of the film’s biggest laughs. Fassbender meanwhile is tremendous, capturing the fire of Magneto along with the easy, commanding presence that McKellen bought to the role, but with more youthful vigour and an impulsive, angry nature.
McKellen and Stewart do their roles with ease and capture the sense of two friends who have set aside all disagreements for the greater good and convey that there is genuine affection there.
Jennifer Lawrence impresses as Mystique, despite not being on screen as much as I’d like. She manages to capture the character’s icy determination, while also managing to convince that there is a fragile, damaged young woman beneath it who has turned to violence out of desparation and disillusionment.
The future X-Men are a little underdeveloped, and even Ellen Page doesn’t get much to do. They have cool powers, and as a Bishop fan it was cool to see him on screen, but I never found myself that invested in any of them.
Hoult and Berry continue to struggle with watered down versions of their characters, and while Hoult has some chemistry, Berry continues to be woefully lacklustre as Storm, one of my favourite comic book heroines.
Representing the non-mutants and impressing throughout is Peter Dinklage as Trask, in a powerful, commanding performance. Dinklage has great on screen presence and the film should be applauded for not making him a textbook nutjob. Trask believes himself to be the good guy and Dinklage does well in making it clear that the nightmarish future is not what the man wanted, and that he saw the war on mutants as a way to unite mankind and bring about lasting peace.
He’s misguided and short-sighted, and there is a nasty side to him, mixed with rampant egotism, but Dinklage ensures that he remains human and believable throughout. In the middle of a vast ensemble cast Dinklage, and his impressive ’70s ‘tache is one of the standouts.
The plot works well as long as you go with it, and it zips along at a decent pace that kept me engaged throughout. There’s also a nice vein of humour running throughout the movie and the movie thankfully avoids just making tons of ’70s jokes. The plot is simple enough to follow and the cutting between past and future works well, especially as climactic fights kick off in both time frames. (The denouement is a little cheesy and didn’t work for me).
For an Marvel fan this is a solid movie, providing a lot of the action you require from a blockbuster, but grounding it in compelling characters, strong performances and a sense of humour. Not all of it works, but for the most part it’s a success and it’s great to finally see the Sentinels on the big screen, and they do make for an impressive, terrifying threat (even if the design does seem rather similar to the Destroyer from Thor).
Verdict: It’s not perfect, but it’s an immensely enjoyable and successful big screen version of an iconic X-Men storyline. Jackman, McAvoy, Fassbender, Lawrence and Dinklage are the standouts, as many of the supporting players get lost in the crowd. 8/10.
Any thoughts? You know what to do. BETEO.
Post-credits sting: A tantalizing glimpse of one of the most powerful and impressive X-villains.
I like musicals, but for some reason I’ve never seen Les Miserables all the way through before. My sister owned a copy on VHS when we were kids, having seen it live, and I remember watching some of it a few times, but it’s a bit of an epic and I don’t think I ever made it to the end without wandering off to play football or pretend to be a Ghostbuster.
I remember a few of the songs and that it was rather bleaker than my favourites in the genre (Singin’ in the Rain, The Sound of Music, The King and I and Grease), but the movie released earlier this year stoked my interest- it looked suitably epic in tone and execution and boasted a pretty good cast, however, I missed it on the big screen and have only just got round to watching it on DVD, so I thought I’d write a little review.
Plot break down is going to be a bit tricky, but I’ll try to get through it quickly- France, the early 1800s, Jean Valjean (Hugh Jackman) has just ended a 19 year prison for stealing bread under the watchful eye of unforgiving and tough officer Javert (Russell Crowe).
Valjean is allowed out on parole but soon breaks this and starts to try and live a good life. Years later he is a respectable man who runs a factory and is mayor.
One of the workers in his factory is Fantine (Anne Hathaway), who works to send money to her young daughter. Fantine’s fellow workers don’t like her and get her fired, down on her luck Fantine has to sell her hair and some teeth and eventually resort to prostitution. After she injures an abusive customer Javert wants to arrest her but Valjean intervenes and takes her to hospital. Valjean promises to look after her daughter and Fantine dies. Valjean’s cover is blown when another man is mistakenly thought to be him and arrested. Valjean rushes to the court and reveals his true identity before fleeing.
Valjean finds Fantine’s daughter, Cosette and takes her from the dubious care of unscrupulous landlord Thenadier (Sacha Baron Cohen) and his wife (Helena Bonham Carter). He clears Fantine’s deaths and they leave, with him promising to raise Cosette as if she was his own daughter. Javert discovers this and vows to track him down.
Several years later and Valjean and the grown up Cosette (Amanda Seyfried) live in Paris. At the same time a group of students plan revolution, one of their number, Marius (Eddie Redmayne) sees Cosette and falls for her. He is friends with Eponine (Samantha Barks), Thenadier’s daughter, who is in love with Marius and who recognizes Cosette. Cosette and Marius meet and exchange letters, but Thenadier plans to claim the reward for Valjean and they must flee. Cosette’s note to her love is found and hidden by Eponine.
The students start there revolution and hope the public will join them, but aid is not forthcoming and they find themselves trapped behind their barricades with soldiers surrounding them and resolve to fight to the death. Eponine is killed saving Marius and gives him Cosette’s letter, and he sends a note to her. Valjean intercepts it and goes to the barricades to protect Marius. Meanwhile, Javert is also at the barricades having been exposed attempting to spy on them and taken prisoner.
Will the rebellion work? Can Valjean finally free himself from Javert’s pursuit? Will Marius be reunited with Cosette?
I dug this movie, although knowing the vague story I knew what the ending was going to be like, but I think that was easy to guess anyway, because an air of doom hangs over the whole film. Tom Hooper directs it all with a down and dirty style and his decision to film the performers singing live on set works wonders in grounding it. It also helps that it’s more of an opera than a standard musical, with people singing all the way through meaning there are no awkward transitions from chatting to crooning.
The songs are magnificent as well, the standout is probably the rabble rousing “Do You Hear the People Sing?” which is a beautiful, anthemic call to arms. It’s the song I remember from seeing it as a kid, and Hooper shoots it beautifully, with it building throughout and feeling like a proper protest song.
Performance wise it’s a real treat, Hugh Jackman is the standout as the noble Valjean, who’s survival instinct constantly clashes with his sense of morality. Jackman is also a great singer having done the Broadway thing in the past, and he has real talent in conveying raw emotion through his singing. Having only seen Jackman as Wolverine and a few duff movies (Swordfish and Kate & Leopold) I was pleasantly surprised by his performance.
The other standout is Anne Hathaway in her Oscar winning supporting role as Fantine. Hathaway has this heartbreaking frailty as the woman who falls from grace in a truly distressing sequence. And her version of “I Dreamed a Dream” is beautifully heartfelt and sad.
The rest of the cast do well with their roles. I heard a lot of criticism of Crowe’s singing, and while he’s not up there with the rest of the cast I didn’t think he was that bad. In fact, I think in a way his more reserved performance and stiff mannerisms works for the character of the rigid and disciplined Javert. Crowe should also be applauded for the way he allows the character’s obsession to bleed in and starts to fray around the edges.
I also liked that the character isn’t a complete bastard and there are flashes of humanity throughout, and Crowe does a brilliant job as Javert starts to doubt himself and his pursuit of Valjean.
There are problems though, Redmayne and Seyfried are both pretty good, but their love story progresses extremely quickly. Even Verona’s star crossed lovers would consider it hasty the way they fall for each other after less than a handful of meetings. Because of this it never quite engages and Eponine’s unrequited feelings for Marius are sketched a little too shallow for any serious resonance.
Another problem I had was that the street urchin who joins the revolutionaries, Gavroche, played by Daniel Huttlestone sounds like he’s wandered off from the Oliver! set and his heavily cockney accent was just offputting.
Also, the tone is continuously grim, with HBC and SBC’s scheming scumbags providing the film it’s only levity and their bawdy antics make a nice change from the gloom and moping of the others.
Hooper directs wonderfully and it tugs at the heartstrings well enough, but for me it was all a bit glum and hard going in places.
Verdict: A well executed and moving musical, but it’s unremitting bleakness is a bit draining, and a few good songs can’t quite salvage it . 7/10.
Any thoughts? You know what to do. BETEO.
Back in 2009 one of my favourite Marvel characters got a solo outing on the big screen, and I was pretty excited to see X-Men Origins: Wolverine, unfortunately the film sucked. Despite some good casting (Liev Schreiber made a pretty good psycopathic Sabretooth and Ryan Reynolds would be perfect as Deadpool given a decent script) the whole thing felt watered down and lame, especially as it wasted some of the X-Men’s best characters (Deadpool, Gambit, Emma Frost).
You’d have thought that I’d have learnt my lesson, but no, when another solo adventure for Weapon X was mooted I found myself getting all caught up in excitement, especially as it became clear that it wasn’t going to be a direct sequel to the last one and that it would be set in Japan. Meaning it would involve ninjas, samurai and yakuza (oh my!). This is something they actually did in the comic books, with Wolverine having spent time in Japan learning to fight and trying to use the samurai teachings to control his anger.
So, I was pretty excited to check out The Wolverine yesterday.
Opening with a scene in World War II where Logan (Hugh Jackman) is a POW in Nagasaki when the bomb drops and saves the life of a young Japanese officer Yashida, from the blast by hiding in a prison pit and covering him with metal. Yashida witnesses Logan’s powers of regeneration.
In the present, following the events of X-Men: The Last Stand, Logan has withdrawn into the mountains and is haunted by having had to kill the woman he loved, Jean Grey (Famke Janssen) who appears in his dreams. Trying to avoid violence and his former ways, he nonetheless gets involved in a bar brawl with illegal hunters, but is aided by Yukio (Rila Fukushima) a mysterious Japanese girl who has been following him. She informs him that Yashida is dying and wants to say goodbye, and reluctantly Logan goes with her to Tokyo.
Yashida has become a rich man, head of a powerful business empire. Yashida (Haruhiko Yamanouchi) but is at death’s door. He believes he can offer Logan a deal- that he can take Logan’s healing factor and “immortality” so he can live on and that Logan can finally live a normal life and die and be at peace. Dubious of this, Logan refuses and is suspicious of Yashida’s shady Western doctor (played by Svetlana Khodchenkova).
While staying at Yashida’s complex Logan sees the problems and tensions within the Yashida family, and is drawn to Yashida’s granddaughter Mariko (Tao Okamoto), who appears to be controlled and trapped by her father and her strict sense of honour. After Yashida dies and Logan experiences bizarre dreams involving the doctor. At the funeral Mariko is attacked by yakuza heavies and Logan protects her, they escape thanks to the aid of a mysterious bowman who turns out to be Mariko’s ex, Harada (Will Yun Lee).
Logan and Mariko go on the run, but Logan realizes that something has been done to him and he is no longer healing as before. Weaker and more vulnerable, Logan still decides to protect Mariko and in hiding the two bond and try to unravel why someone is after Mariko and what’s happened to Logan.
Can they get to the bottom of things? Will Logan recover his powers and if he doesn’t how will he manage? And is the Wolverine side of his character really gone or does he need that savagery to win the day.
First of all, this movie is a vast improvement on Origins, but that’s faint praise. This movie is definitely more fun and while it doesn’t quite match up with the comic book character’s Japanese connections, it’s still an interesting spin. Wolverine is out of his comfort zone and struggles with some of the Japanese customs, and this, along with the loss of his healing powers ensures that the character is more vulnerable than before.
This is a nice move because his near-indestructible nature can strip some of the peril from his adventures. Here we see the character stripped of this and forced to adapt. Jackman does a great job capturing the surprise and confusion the character experiences throughout the film, while still being a total badass. It’s interesting because it highlights one of Wolverine’s flaws, he fights like someone who can’t be hurt and so wades in recklessly, which is usually fine and dandy, but here puts him at a disadvantage.
That’s not to say that the Canadian mutant can’t handle himself, and some of the fights are wonderfully choreographed, with him slashing, hacking and brawling through martial artists. I quite like that his fighting style reflects his character and that they didn’t just make him a kung fu master. Unfortunately, while there are feral about him we’re still yet to see the character fully unleash the berserker rage comic fans are familiar with. But I guess, they’re never going to make a 15 movie and lose a massive chunk of their audience.
Jackman, is as ever, superb in the title role. While some of the films he’s appeared in have been a little shaky, the actor always does a good job with the character, and here he manages to convey the conflict and changes the character experiences. From his haunted, despairing first appearances right through the film as Wolverine starts to live again. The growing passion and dedication bleeds into the character slowly, and is one of the character’s lasting traits- despite his protestations of being a loner and cynicism, Logan is still a hero and is unable to sit on the sidelines when he sees injustice going on. That being said, he does have a nice line in sarky quips.
It also has to be said that Jackman looks sensational, he’s insanely ripped and carries himself with this understated confidence which gives the impression that he is a man not to be trifled with.
The rest of the cast do alright too, especially Rila Fukushima as the young Japanese girl sent to collect Wolverine, she bosses him about, declares that she’s his bodyguard and brings a wonderful streak of humour to proceedings, and the two characters have genuine chemistry. Her own mutant power is handled well, and brings a touch of sadness to the character. Also, she’s never overly sexualised and something of a badass when she gets fighting, and I found myself really warming to the character.
As the love interest Mariko, Okamoto does well enough and is rather sweet and decent, but despite them making her know a bit of karate and be a skilled knife thrower, she does slip into “damsel in distress” mode a bit too much. And the whole Japanese honour thing is a little forced in places.
Famke Janssen’s dream appearances as Jean Grey are quite well done, giving insight into Logan’s turmoil, but with Jean also being rather nasty to the poor dude in places, showing how his subconscious is torturing him.
One of the flaws is there’s lack of any real villain until the end stages. The yakuza and ninjas are good heavies, but you know that as soon as Wolverine sorts out getting his powers back they won’t be much of a challenge. Svetlana Khodchenkova’s snakelike mutant is quite good fun, but underused.
And when the big bad does finally rock up it’ssomething of a disappointment, and looks kinda dumb.
There are a few nice touches of humour, and some good one-liners, and the script is rather well done, and manages to handle some of the dafter plot aspects well enough.
All in all it’s a thoroughly entertaining superhero romp, but compared to the Marvel Universe films this is lagging behind. Jackman’s performance is good and the action sequences are well done, and the ending is encouraging for further adventures where Wolverine won’t be quite as mopey,
Verdict: In terms of the X-movies this is one of the better installments and great fun, with Jackman continuing his great work as the cigar chomping mutant. He’s far and away the film’s greatest strengths. It’s a little daft in places, but pulls through, however it suffers from lack of a decent villain and in comparison to the Avengers movie universe it looks shakier. 7/10
Any thoughts? You know what to do. BETEO.