Film Review: Wonder WomanPosted: June 20, 2017
So far the DC extended universe (DCEU) has been playing catch up with Marvel who have built up their shared universe since 2008’s Iron Man. It’s easy to see why DC want to get in on the same kind of thing but unfortunately it’s all felt rather rushed. The first film worked on it’s own, but Man of Steel still had some flaws and the follow up, Batman vs Superman: Dawn of Justice was hit and miss, and saw Gal Gadot’s Wonder Woman thrown in the mix in a way which seemed a bit rushed. The less said about Suicide Squad the better.
So, having already met Wonder Woman what we have here is a flashback, an origin movie which takes us back to the First World War. Not that the war has had any impact on Themyscria, the idyllic, hidden island of the Amazons. Here, Princess Diana learns of the Amazons’ purpose, to guide mankind to peace and oppose the corrupting force of Ares, the God of War.
Diana wants to learn to fight, but her mother, Queen Hippolyta (Connie Nielsen) opposes this, as Ares is seemingly defeated and she has fears that Diana’s training and increasing strength will draw the attention of the war god if he is still out there. But Diana’s aunt, General Antiope (Robin Wright) is more cautious and secretly trains her niece, who becomes a skilled fighter but appears to have odd powers and enhanced strength.
After years of isolation the first man visits the island as Steve Trevor (Chris Pine) crash lands in the sea off the island attempting to flee with stolen plans of a new deadly German weapon. Diana rescues him but the Germans arrive and there is a short battle which leaves all the Germans and a few of the Amazons dead. Steve is taken prisoner and bound with the lasso of truth reveals his misssion, Diana believing that the villainous General Ludendorff (Danny Huston) is Ares in an attempt to continue the war.
In defiance of her mother’s wishes, Diana steals the godkiller sword and she leaves with Steve to the world of man. There they deliver the plans and are forbidden to attack Ludendorff as it may damage the delicate armistice talks.
Diana is outraged when Steve agrees not to get involved, accusing him of lying to her, but he reveals he plans a secret mission, gathering old allies and receiving assistance from Sir Patrick Morgan (David Thewlis), a politician attempting to sort out a peace but determined not to lose more lives or allow Ludendorff to find a weapon to extend the war.
Can Diana stop Ludendorff? Is he actually Ares? What will she think of man’s world and is she ready for the horrors of the front?
This movie’s major strength is Gadot, who not only looks the part as a strong warrior woman but who also captures the character’s journey very well. She excels in the action sequences and shows Diana’s steely determination throughout, while also doing well with the script’s more humourous aspects. She also shows Diana’s confusion and wonder at the things she encounters and the “fish out of water” vibe works well.
As Diana progresses she becomes disillusioned with mankind and the war, and the film is clever in avoiding merely blaming Ares for mankind’s conflict. When Ares faces Diana he talks about how the darkness was inside man and he just guides them to better weapons, hoping to destroy them and have the world return to the paradise it once was.
The war is hell aspect of the film is decent and a good angle, but the handling is poor. The horrors of war are shown in an oddly bloodless way, and while there are hints that both sides do wrong this does paint the Germans as the bad guys in a way which simplifies the complex reasons for WWI and the fact that neither side really held a moral highground.
Also, it’s hard to say that war is bad when the film delights in the Amazons’ fighting. The battle on the beach between Amazons and Germans is filled with slow motion, which is overused throughout. The Amazons’ skills are presented as cool and admirable, but it’s still basically war. And it feels odd that we get a sombre moment of a dying Amazon as though this is some great tragedy, when they have literally just killed half a dozen soldiers with arrows. It feels fumbled and half done.
That being said, the action sequences are, slow mo aside, quite well done, especially a sequence where Diana charges across no man’s land under heavy fire to save civilians. It’s a solid sequence and visually striking.
But in a way the problem here is that Diana is too strong, too powerful. There are only one and a half characters who can really go toe-to-toe with her and aside from these fights the rest of the battles feel one sided and lacking peril. It’s a similar issue that DC face with Superman, their heroes being too pumped up and often without decent foes.
But for the most part the movie works, landing more hits than misses and entertaining throughout. It’s definitely the funniest of the DCEU movies and a good background for the charcter, even if it doesn’t move anything forward. In fact it adds more questions, like what the hell has Diana been doing between 1918 and throwing down in BvS: DoJ?
Special mention should also go to Chris Pine who does good work here. He shares good chemistry with Gadot, and his Steve Trevor is a likeable character. Heroic without being too clean cut, Steve is a good counterpoint to Diana. Both see the horrors but Diana’s fresh eyes make her willing to deviate from their mission in a way his more jaded view is less inclined to do. And he acknowledges that people can be bad, whereas it takes a while for Diana to dismiss the idea that it is all down to Ares.
I’m definitely interested in seeing more of the character and it bodes well for the DCEU going forward as this is definitely the strongest entry since Man of Steel and left me excited for Justice League.
Verdict: Has it’s flaws but generally works quite well. Gadot is good as the lead and the script manages a decent balance in tone. Stumbles in places but manages to stride out with pride. 7.5/10.
Any thoughts? You know what to do. BETEO.