Warning! Spoilers ahead!
I finally got around to seeing this with MWF today and I’m kinda glad I did, having allowed the fanboy hype and critical mauling fade into the background. So, does the big screen meeting of the World’s Finest work or not?
The answer is partially.
The plot works decently, even if it does feel like a whole lot is going on. It uses the destruction of the Zod vs Superman (Henry Cavill) smackdown of Man of Steel as a jumping off point for much of the drama, this is good as the smashing of Metropolis was distinctly unlike Superman, so it’s good it had some kind of point.
Debate rages over what Superman should and shouldn’t do and whether he is helping or a threat. He rescues Lois Lane (Amy Adams) from African rebels, but the hired guards kill many and he takes the fall for this and the reprisals, leading the US government to question how he acts.
While some embrace him as a saviour others are skeptical especially Lex Luthor (Jesse Eisenberg) who talks to the government about using Kryptonite as a “silver bullet” in case they need to put the Man of Steel down.
Meanwhile, in Gotham Bruce Wayne (Ben Affleck), who witnessed the destruction and saw many if his employees die, returns to his life as Batman after a break and starts his war on crime. He is highly suspicious of Superman, and plagued by a nightmarish dream of a desolate world where Superman reigns.
For his part, Clark is not keen on the violent justice the Bat is dishing out. He wants to write about it in the Planet, but Perry White (Laurence Fishburne) kills the story.
Wayne’s investigations lead him to Luthor, who is shipping in Kryptonite which Batman wants. Also looking into Luthor is a mysterious woman, who wants a file that Lex has on her. She is unable to crack it and gives it to Bruce, who finds out she is Wonder Woman, another superhuman who fought in WWI.
It turns out Luthor has used his government connections to access Zod’s body and ship and is breeding something there, and is also aware of Batman’s identity and orchestrates a showdown. Who will triumph or will they be able to realise what’s going on and unite?
First the good. The questioning of Superman’s role on earth is handled well with fake news broadcasts and rival factions. Given the sheer havoc that rained down in the last movie it makes sense that not everyone is too keen on the Last Son of Krypton, and the way Luthor conspires to smear him is well done and paints Luthor as a genuine threat.
The problem is that this ball is dropped as despite Eisenberg’s early success as the slick, egotistical billionaire he lapses into raving look territory halfway through, which is a shame as it would be nice to have a Luthor who manages to be evil while remaining clean on the surface.
Eisenberg’s casting drew some heat, and it’s a flawed portrayal that justifies some of the doubts. Doubts about Ben Affleck’s ability to be the Bat are blown away thanks to a fantastic performance which portrays a darker, more morally ambiguous Batman than we’ve seen before. It owes a debt to Frank Miller’s The Dark Knight Returns in particular but this is a Batman who doesn’t shy from killing and is coldly ruthless.
There’s a sense if an older, jaded man behind the cowl and a scene where Batman and Alfred (played with a long suffering, dry charm by Jeremy Irons) talk about how all the good guys are gone, and many didn’t stay good. It teases more to come and a murky past, some of which we’ll probably see in Suicide Squad, and Affleck carries it well.
His fear is understandable and his rage utterly human, and he’s a total badass in the role, both as the Bat and Wayne. Those who criticised him will be feeling rather embarrassed now as he owns the film.
That’s not to do Cavill a disservice, he continues to impress as Superman but the character isn’t developed much and others steal the focus. That being said he captures a human side to the Man of Steel and works well with Adams again. The contrast between the two heroes is good and Cavill succeeds with what he’s given.
The third hero involved, Gal Gadot’s Wonder Woman is given a great introduction as she’s shown to be smart, resourceful and strong and her bantering with Affleck is well handled. MWF liked that she was shown in a costume that looked badass without being too slutty. I always worried that Wonder Woman, like Thor, wouldn’t translate to the big screen but Gadot is solid and I’m looking forward to seeing more of her in action.
I like that they introduced her but there are a couple of things that make you aware that this movie made in the shadow of the Marvel Cinematic Universe, particularly The Avengers, and clearly DC and Warner Bros. Want their own franchise, but it feels that this is a bit of a rush to get there. Marvel built up over a few movies, this is the second for DC.
Cameos from other Justice League members are fan pleasers, but this feels in places like a stepping stone to get to a bigger movie.
The other thing that’s rushed is Doomsday, a major villain in the comics, who rocks up here. While he’s a real threat here, he’s dispatched with relative ease and it’s a shame they couldn’t have done The Death of Superman as the second or third Justice League movie. It’s a major villain used against three of the team, which is a shame although there are hints of a bigger villain on the way.
Another misstep is the visions Batman has. They’re never explained, apart from a brief glimpse of the future Flash talking to him and it’s not clear if this is a dream or meant to be real. It’s messy and feels needless, why is he having them?
It feels in places like it would have been improved by being stripped back and with Luthor having a better ending.
So while it’s far from perfect it’s not an utter failure, it just feels like they’re trying to fit way too much into one movie and there are lots of gaps and questions left. But for the most part it works as a superhero epic and there are some good performances and it sets up further movies well.
Verdict: A little messy and with a few mistakes, this just about works and is helped by Ben Affleck’s sensational work as Batman and some good action sequences. The conflict is set up well and the conclusion satisfying, but in places it feels less like it’s own film, and more like a means to set up other movies. 7/10.
Any thoughts? You know what to do. BETEO.